SOLO EXHIBITIONS——————————————–
2024
Humanly Possible, Muhlenberg College, Baker Center for the Arts, Allentown, Pennsylvania, January 15- May 12
2023
Ronald Gonzalez / Bed Assemblages / The Dreamer Awakes, Anthony Brunelli Fine Arts, Binghamton, New York. October 7- November 10.
2022
Ronald Gonzalez: When I was a Child I Sailed the World, Northern Illinois University Art Museum, College of Visual and Performing Arts, Dekalb, Illinois, November 29-December 17
2021
The Mortifacts of Memory, Johnathan Levine Projects, Jersey City, New Jersey
2020
Ronald Gonzalez / Object-eye, Exhibit A Contemporary Art,
Flash Friction / Works on Paper, Art Number 23 Gallery, London United Kingdom
Seeing Through My Eyes, Hollister Gallery, Babson College, Wellesley, Massachusetts
Scraps, Grotesques, & Other Personas. EJECTA Projects, Carlisle, Pennsylvania
2018
Things Portrayed, Jonathan Levine Projects, Mana Contemporary, Jersey City, New Jersey
In the Palm of My Hand, The Curious Cabinet at EJECTA Projects, Carlisle, Pennsylvania
2017
FIGURES, Foreman Gallery, Anderson Center for the Arts, Hartwick College, Oneonta, N. Y.
Hat Figures; Exhibit A Contemporary Art, Corning, New York.
2016
Ronald Gonzalez: Recent Sculpture, Margaret Colacino Gallery, Nazareth College, Rochester, New York.
Object to Figure, Ann Fulton Multicultural Art Center, Onondaga College, Onondaga, New York.
2015
Mind Things, Davis Gallery, Hobart, and William Smith Colleges Geneva, New York
Seeing in The Dark, A.D Gallery, University of North Carolina at Pembroke
Smalls, Madelon Powers Gallery, East Stroudsburg University, Fine, and Performing Arts Center. East Stroudsburg, Pennsylvania
Upright Objects: The Assemblage Sculpture of Ronald Gonzalez, Leader-Lockert-Bridge Galleries, SUNY Genesso, New York
2014
My Own Little World, Exhibit A Contemporary Art, Corning, New York.
2013
Soulless, Lear Gallery, Sag Harbor, New York.
2012
Person, Place, Thing, Anthony Brunelli Fine Arts, Binghamton, New York
2011
Damned, Wehling McGill Galleries, Brauer Museum of Art, Valparaiso University, Indiana
Studies for Black Figures: Maquettes & Working Models, Suraci Gallery, and Marywood University. Scranton, Pennsylvania.
2010
Private Collection, Schmucker Art Gallery, Gettysburg College, Gettysburg, Pennsylvania
Ronald Gonzalez, Black Figures, Anthony Brunelli Fine Arts, Binghamton, New York
2008
Decompositions: Bundle, Compost, Hive, Profile, Siren, Goodyear Gallery, Dickinson College. Carlisle, Pennsylvania
2007
Objects as Figures, Figures as Objects. Sumter County Gallery of Art, Sumter, South Carolina
Cones, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts
2006
Fated Objects and Strange Progeny, The Corcoran Gallery of Art, Museum of Art, Washington, D.C.
2005
Reuniting the Head with the Body, Tyler Art Gallery, and State University of New York at Oswego
2004
Assemblages, Wriston Art Galleries, Lawrence University, Lawrence, Wisconsin
2003
The Monstrous and The Human, Tower Fine Arts Gallery, State University of New York at Brockport, New York
2002
Still Life’s, Pei Ling Chan Gallery, Savannah College of Art, & Design, Savannah, Georgia,
Tour: Forty Demonic Heads, The Marianna Kistler Beach Museum of Art, University of Kansas, Lawrence, Kansas
2001
Body Plans: Wrapped-Headed Figures, Drawings and Reliefs, Mingenbach Art Center, Bethany College, Lindsborg Catacomb, Penelec Gallery, Allegheny College, Meadville, Pennsylvania
2000
Arches / Birds Fly Through Us, Laumeier Sculpture Park, St, Louis, Missouri
1999
So Ends This Day, Hudson D. Walker Gallery of Art, Provincetown, Massachusetts
1998
Catacomb, Salina Art Center, Salina, Kansas, Emporia Art Center, Emporia, Kansas, Traveled, Moss Thorn Gallery of Art, Visual Art Center, Fort Hays, Kansas
1999
Stacked Skeletons, Hanes Art Center, University of North Carolina at Chapel Hill, North Carolina
Skulls, Ute Stebich Gallery, Lenox, Massachusetts
Crosses, Everson Museum of Art, Syracuse, New York
1995
Candlemen. Dowd Fine Arts Center, State University College at Cortland, New York
1994
Ascending and Falling, Fine Arts Gallery, Long Island University, South Hampton, New York.
Horned Figures, Everhart Museum, Scranton Pennsylvania.
1993
Just Below Heaven, Atrium Gallery, University of Connecticut at Storrs, Connecticut.
1990
Turning Bodies into Souls, INTAR Gallery, New York, New York
1989
Sculpture/Drawings, Allan Stone Gallery, New York, New York
Ronald Gonzalez: New Sculptures/Drawings, Edith Barrett Art Gallery, Utica, New York.
Studies for Sculpture, Rahr West Art Museum, Manitowoc, Wisconsin
Inside My Big Eye. Second Street Gallery, Charlottesville, Virginia
1988
Beautiful Beings: The Sculpture of Ronald Gonzalez. Ahearn Gallery, Roberson Museum, Binghamton, New York.
1987
Maquettes / Large Sculpture. Fine Arts Gallery, State University of New York at Oneonta,New York
Ronald Gonzalez: Recent Sculpture. Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York
Ronald Gonzalez: Recent Sculpture. University Art Gallery, University of Nebraska, Omaha, Nebraska
Selected Small Work, 171 Art Center, Corning, New York
Assembled Dreams, Museum of Contemporary Hispanic Art, New York, New York
1986
Sculpture / Recent Work. Arnot Art Museum, Elmira, New York.
Ronald Gonzalez: Relief Sculpture. Germano Art Gallery, Rochester, New York
1985
Sculpture/Relief Sculpture, University Art Museum. State University of New York at Binghamton, New York
1983
Ronald Gonzalez: Recent Sculpture/ Drawings, The Studio School and Gallery, Johnson City, New York
Ronald Gonzalez: Sculpture/ Reliefs/ Drawings, The Studio School and Gallery, Johnson City, New York
GROUP AND TWO PERSON EXHIBITIONS——————————————————————————————
2024
Hawkins / Gonzalez, Rochester Center for Contemporary Art, Rochester, New York,March 1 – May 4
Radius: Mixed Messaging, The Delaware Contemporary, Wilmington, Delaware, June 7, August 25
Figure, Touchstone Gallery, Washington DC. January 12- February 19
Other-Worldly, Foster Art Gallery, Westminster College, New Wilmington, Pennsylvania, January 17 – March 1
Familiar Fragments, La Mecha Contemporary, El Paso, Texas, December 28 – January 20
WAR, Hudson Valley Museum for Contemporary Art, Peekskill, New York, February 15- April 10
Unbound, Juniper Rag, Easton Massachusetts, January 7- January 27
Small Works / Big Impressions, Union Street Gallery, Chicago Heights, Illinois, January 18 – February 10
Traces of Time II: Perception, Memory, and Transits Between Past and Future, Palmieri Foundation, Lecce, Italy, May 18 – May 31, Catalogue
Looks Good on Paper, Gallery One, Ellensburg, Washington, March 1 – 30
Nonsense, Whitecube Contemporary Gallery, Chicago, Illinois, March 15- April 19
2023
Object Fluency: Ronald Gonzalez, Kathleen Granados, Brooklyn Arts Cluster, Cluster Gallery, Brooklyn New York, August 16 – October 7
Exchanges: dialogues between poetry and art, Foster Gallery, Haas Fine Arts Center, University of Wisconsin, at Eau Claire, September 14- August 23
Traces of Time: Weaves, woven and other joints, Primo Piano Special Projects, Palmieri Foundation, Lecce, Italy, May 9- June 1, Catalogue
Unconnected Yet: Academy of Fine Arts, Kolkata, India, January 16-22, Catalogue
Permaculture: Art of the Natural World, Indianapolis Art Center, Indianapolis, Indiana, August 19- October 29, Catalogue
Unveiling Perspectives: A Journey through Diverse Narratives, CISTA ARTS, London United Kingdom, July 1- 30, Catalogue
Small works: Personal Search, Upstream Gallery, Hastings-on-Hudson, New York, January 5-29
PINTSIZE: Small Scale Assemblage, Transmission Gallery, San Francisco, California, January 6-February 11
Passage of Time: Art Gallery, University of North Carolina, Pembrooke, North Carolina, February 2 – March 16
Miniature Monumental: Bristol Art Museum, Bristol, Rhode Island, February 4- April 1
Existence: DANOK Inc, Gallery Western, Los Angeles, California, February 12- 23
Faculty Exhibition: The Elsie B. Rosefsky Memorial Art Gallery, March 9 – 31, Catalogue
Small Exhibition: Buckham Gallery, Flint Michigan, April 7- May 13
Black and White X, Camel Gallery, March 25, April 15
USED: Attleboro Art Museum, Attleboro, Massachusetts June 16- July 14
Schweinfurth Member Show: Schweinfurth Memorial Art Center, Auburn New York, September 1 – October 15
Small Works: IU Kokomo Art Gallery, Indiana University, Kokono Indiana, September 4 – 25
Life is Art: Sculpture Space Charity Exhibition and Auction, Sculpture Space, Utica New York, September 15 – 22
Black and White X, Camelback Gallery, March 25, April 15Trauma in Place, Institute for Creative and Collaborative Arts, Eastern Kentucky University, School of Art and Design, Fred Parker Giles Gallery, Richmond, Kentucky, October 5 – November 19, 2024
Where is the Human, East End Arts, Riverhead New York, November 3 – December 13
Contemporary Drawing, Western Wyoming College, Rocksprings Wyoming, October 27 – January 19 2024
2022
Liminal Frames: Agency of the Body, Carrie Able Gallery, Brooklyn, New York, April 6- June 15
The Tipping Point, The Chancellor’s Gallery, Rockefeller Institute, Albany New York, July 8- June 10,
Apocalypse Maybe, Gallery 114, Portland, Oregon, January 6- February 122
The Uncanny, The Chateau Gallery, Louisville Kentucky, December 15- February 15
Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Ashville, North Carolina, January 18 – February 11, Catalogue
Failings, Ejecta Projects, Carlisle, Pennsylvania, April 2- May 21
Made in New York, Schweinfurth Art Center, Auburn, New York, June 12- August 2
Impart, Cultivate Gallery, London, United Kingdom, March 15- March 28
The Unknown Nature of Being, Tubac Center of the Arts, Tubac, Arizona, April 8 May 29
By Visceral Effect, Starta Arta Gallery, New York, New York
Rustbelt: REDUX, Vestige Gallery, Pittsburg, Pennsylvania, March 26 April 24
Beauteous Forms, Brouhaha Gallery, Lantau Island, Hong Kong
Time Will Tell, Coburn Art Gallery, Ashland University, Ashland, Ohio, May 23- Jul 24
Flux Exhibition, Flux Review Virtual Gallery, London, United Kingdom, June 1- July 1
Paper Unframed, Woodstock Artists Association and Museum, Woodstock New York, August 23- September 11
The 2022 Tri State Sculptors Conference and Exhibition, The Richardson Center for the Arts, Wofford Collage, Spartanburg, South Carolina, October 6- October 9
Nearly Black, The Artists Living Room, Guangzhou, Guangdong, China
Sculpture Space Gala Art Exhibition and Charity Auction, September 24- November 31
ALTERED, Changed, Repurposed, Reconsidered, Trumansburg Conservatory of Fine Art, Trumansburg, New York, October15- November 20
Nocturnal, 3Cs Art Collective, Lyons, Colorado, October 14- November 19
2021
Art in Isolation, Art School Pedagogy Symposium and exhibition, Teachers College, Columbia University, New York New York
Storied References, Northern Illinois University Art Museum, Dekalb Illinois
Sculptors Drawing, Lederer Gallery, SUNY, Genesso
Figure It Out, Tag120Art, Taylor Texas
Anxiety in a Time of Pandemic, Indiana University, Kokomo Gallery, Kokomo Indiana,
Embody, Ely Center for Contemporary Art, New Haven, Connecticut
THICK, ShockBoxx Gallery, Hermosa Beach, California
Drawing Concepts, Kenkeleba House, Inc. / Wilmer Jennings Gallery, New York, New York
Collage Now: Analoge Collage in an Instagram Era, Denise Bibro Fine Art, New York, New York
Fragment, Pragmata Collective, Arts Council England, London, United Kingdom
Adrift, Main Street Arts, Clifton Springs, New York
Time and Tide, 118 Virtual Gallery
Unprecedented: Arts Respond to 2020, View Center for Arts and Culture, Old Forge, New York
Art Over Time, Brooklyn Waterfront Artist Coalition, Brooklyn, New York
Small Wonders, Fine Line Creative Arts Center, St. Charles, Illinois
Eye of the Beholder, Cultural Center of Cape Cod, Provincetown, Massachusetts
People: Figurative work from the Collection, Robinson Museum, Binghamton, New York
Paper West, Gittins Gallery, University of Utah, Art and Art History Department, Salt Lake City, Utah
Title to be Determined, Starta Arta Gallery, New York, New York
Straddling the Line : Between Abstraction and Representation, The Waiting Room Gallery, Denver Colorado
2020
Videne Formy, HYB4 Galerie, Kampus Hybernska, Prague
Wanna See My Art Show, Superchief Gallery Soho, New York, New York
Mixed Media, Art Center Gallery, Nazareth College, Rochester, New York
Threshold, Kirkland Art Center, Kirkland Washington
Eros & Thanatos, Buckham Gallery, Flint Michigan
Altered States, Pleiades Gallery, New York, New York
Totems, Beacon Gallery, Boston, Massachusetts
Black and White Invitational Biennial Exhibition, Corners Gallery, Ithaca, New York
Miami Contemporary Small Format Exhibition, Cowry Art Studio, Miami, Florida
Viewpoints, Studio Montclair, Montclair, New Jersey
Contemporary Figurative Show, Hilliard Gallery, Kansas City Missouri
UNSEEN, Studio J’ han Company LLC, New York, New York
Allegory Symbolism and Vision, Robinson Museum and Science Center, Binghamton, New York
Creative Distancing, Chapman Gallery, Art Museum of South Texas, Corpus Christi, Texas
On the Surface, Ottmar Gallery, Attleboro Arts Museum, Attleboro, Massachusetts
Ejecta Collects, Ejecta Projects, Carlisle, Pennsylvania
Global 2020, The Future is Today, Modern, and Contemporary International Exhibition of Contemporary Art and Performance, AL-Tiba9 Contemporary Art, National Art Museum of Algiers
Art in a Time of Quarantine, The Arts Center of Highland Park, Highland Park, Chicago, Illinois
What Matters Most, Art Essentials, Deer Isle, Michigan
SIZZLE, Bromfield Gallery, Boston. Massachusetts
Space, Athens Institute of Contemporary Art, Athens Georgia
Summer Salon Series, Anthony Brunelli Fine Arts, Binghamton, New York
11th Anniversary Show, Create in Place, Water Street Studios, Batavia, Illinois
Masters as Muses, Cedarburg Art Museum, Cedarburg, Wisconsin
Places and Transformations, Gallery, Andrew Elsten, Lauren Macklin, Ronald Gonzalez, Devon Thompson
Small Works, Core Contemporary Arts Space, Lakewood Colorado
You Are Here: Maps and Mapping, Katmapped Collective virtual project, British Isles
Normal, Spongleheim Virtual Gallery, December 1-21
Gatherings, Selections from the Permanent Collection, Cape Cod Museum of Art, Dennis, Massachusetts
Darkest Before Dawn: Art in the Age of Uncertainty, Ethan Cohen Fine Arts Kunsthalle, Beacon,New York
Responses: What Now, ECCA, New Haven, Connecticut
2019
Superchief New York: Fall Group Show, Superchief Gallery, Ridgewood New Jersey
EXPOSED: Humans vs. Planet Earth, Knox Contemporary Gallery of Art, Calgary, Alberta, Canada,
Drawing on the Edge of Perception, Kresge Art Center, Michigan State University, East Lansing, Michigan
Strangely Familiar: Philip Kuznicki and Ronald Gonzalez, Exhibit A Contemporary Art Gallery, Corning New York
Exhibition Mexico: An Exhibition of International Artists, Ovalo Galleria of Art, Mexico City, Mexico
Conjoined Vr. Grotesque, Capro Nason Gallery, Santa Monica, California
Concrete & Adrift: On the Poverty Line, Alexandria Museum of Art, Alexandria, Louisiana
10! Celebrating a Decade at Exhibit A, Exhibit A Contemporary Art Gallery, Corning, New York
Extended Stay, Superchief Gallery, Miami, Florida
Inside/Outside, Upstream Gallery, Hastings-on-Hudson, New York
ABFA 15-Year University Exhibition, Anthony Brunelli Fine Arts, Binghamton, New York
Art on Paper, Circle Gallery, Maryland Federation of Art, Annapolis, Maryland
Metamorphosis/Paramorphosis, Galleria v Caroffovej vaznici, Presov, Slovakia, Traveled to Koniaren Gallery, Trebisov, Slovakia
The Lost and Found Exhibition, Appleton Square Gallery Lisbon, Portugal, Traveled to, Fabrica Braco de Prata, Lisbon, Portugal
Water, Air, Earth, Fire, Duel Gallery, Budapest, Hungary
Faculty Exhibition, Elsie B. Rosefsky Memorial Art Gallery, Binghamton University, Vestal, New York
Sheets: Exhibition of Paper Arts, Art Center, Gallery, Norfolk Virginia
Monsterpalous, Capro gallery at Marriott Burbank Convention Center, Santa Monica, California
En-gendering Change, Cloyde Snook Gallery, Adams State University
Artists who Teach, Ellington-White Contemporary, Fayetteville State University, Rosenthal Art Gallery, Fayetteville, North Carolina
Remnants, Spectro Art Space, Denver, Colorado
When Darkness Falls, Annmarie Sculpture Garden and Arts Center, Kay Daugherty Gallery, Solomons, Maryland
Little by Little, Art Intersection, Gilbert Arizona
Risk Everything, Manifest Destiny Art Gallery, Barcelona, Spain
2018
SOFA Art Fair: Sculpture, Objects, Functional Art and Design, Navy Pier, Chicago, Illinois
Miami Art Basel, Juxtaposz Clubhouse, Superchief Gallery, Miami, Florida
Littletopia at L. A. ART SHOW: Modern & Contemporary International Art Fair, Los Angeles Convention Center, Los Angles, California
Present/Perfect/ Continuous, Zverev Contemporary Art Centre, Moscow, Russia November
Who? Are.You. (Re) Presentation and Challenge, Atlantic Gallery, New York, New York.
Defining Form, New Narratives in Sculpture. The Untitled Space Gallery, New York, New York.
American Paperwork’s, New Walter Piehi Jr. Gallery, Northwest Arts Center, Minot State University
Paper in Particular, Sidney Larson Gallery, Columbia College, Columbia, Missouri
For What it’s Worth: Planet, People, Politics, Alliance Galleries, Delaware Valley Arts Alliance, Narrowsburg, New York
The Mask, Space Millepiani, Rome, Italy
Fe/Male, AIR Gallery, The Warehouse, Altrincham, United Kingdom
The Body, LIT, Art Gallery, Chattanooga, Tennessee
Incognito, Art 23, Biscuit Factory Gallery, London, United Kingdom
Small Works on Paper from the Permanent Collection, Roberson Museum and Science Center, Binghamton New York
Nostalgia, Toon Gallery, Amsterdam, Netherlands, Traveled to V23 Gallery, London, United Kingdom, May 18-27 Misc Arts Center, Timisoara, Romania, Municipal Art Gallery, Athens, Greece
Recycled, 629 Gallery, Asbury Park, New Jersey
Works Playing with Scale, BG Galley, Gestalt Art Projects, Santa Monica, California
Loss & Lucidity, Santora Space 205, Santa Ana, California
Summer Salon, Anthony Brunelli Fine Arts, Binghamton, New York
The Inventive Eye: Observation, Transformation, & the Art of Seeing, Upstream Gallery, Hastings-on-Hudson, New York
Pushing Paper: Realizing the Potential of the Medium, Barret Art Center, Poughkeepsie, New York
Black Out, Ashton Gallery, San Diego, California
Figure Study: Hidden Stories, Healdsburg Center for the Arts, Healdsburg California.
The Freak Show, Local Project Art Space, Long Island City, New York
BLOT, Moon Gallery, Berry College, Mount Berry, Georgia
Tiny but Mighty, d’Art Center, Norfolk Virginia
2017
ART BASEL, Scope Miami Beach Pavilion, Miami, Florida
AQUA Art Miami, Aqua, South Beach Hotel, Miami, Florida
Jonathan Levine Projects, Juxtapoz Magazine Clubhouse, Miami, Florida
Natural Selection, Galerie Protégé, New York, New York
Modern Panic, Guerrilla Zoo, Newspeak House, Apiary Studios, London, United Kingdom
Delusional: Jonathan LeVine Search for the Next Great Artist, Jonathan LeVine Projects, Jersey City, New Jersey
Artist Statement #2, Czong Institute of Contemporary Art, Gimpo-si, Gyeonggi-do, Korea
Stimulus, Modular/Space Gallery, GreenHouse Berlin, Berlin, Germany, Traveled to Municipal Art Gallery of Piraeus, Athens, Greece, Menier Gallery, London United Kingdom
Et, To, Art Brute, Andrew Edlin Gallery, New York. New York
The Figure: Interpreted Through Contemporary Mediums, Site: Brooklyn, Brooklyn, New York.
Drawing Resurfaced, Purdue Fountain Gallery, Purdue University, Lafayette, Indiana
Repurposed: Works by Ronald Gonzalez and Daniel Burke. Mercyhurst University, Institute for Arts & Culture, Cummings Gallery, Erie, Pennsylvania
Structure Unbound. The Robert & Elaine Stein Galleries, Wright State University, Dayton, Ohio.
The Art of Time, The National Watch and Clock Museum, Columbia, Pennsylvania
Soft Sculpture-Hard Thoughts, Galleria SULUJ, Terazija, Belgrade. Serbia
Small works/ BIG IMPACT, Gallery Underground, Arlington, Virginia
Reclaimed, The Mosesian Center for the Arts, Watertown, Massachusetts
Something Black, Cultivate Gallery, Hackney, London, United Kingdom
Readers Art Control, Alt/Shift, Minnesota Center for Book Arts, Minneapolis, Minnesota.
Works on Paper, Long Beach Island Foundation of Arts & Sciences, Long Beach, Loveladies, New Jersey
Summer Invitational Exhibition, George Billis Gallery, New York, New York
Tiny Monsters, FE Gallery, Sacramento, California
One Night Only, Atomic Tom Gallery, Binghamton, New York
Faculty Exhibition, Rosefsky Gallery, Binghamton University, Binghamton, New York,
Gallery Artists, Exhibit A Contemporary Art, Corning, New York
Great Drawing Biennial, Eastern Michigan University, School of Art & Design, Ypsilanti, Michigan
Art in Sixes, Alliance Galleries, Delaware Valley Arts Center, Narrowbourgh, New York
2016
On the Stump, Proto Contemporary Gallery, Hoboken, New York
Putting It Together, Foundry Art Center, Saint Charles, Montana
The Transformation of Found Objects and Materials, Balley Contemporary Arts, Pompano Beach, Florida
Materials Repurposed, Art in Embassies Program in Washington DC, United States Embassy in Contonou, Benin, Africa, Permanent installation
Images of Remembrance, Maloney Art Gallery, College of Saint Elizabeth, Morristown, New Jersey.
The Professor Picks, Snite Museum of Art, University of Notre Dame. Notre Dame, Indiana
2015
Closer, Kresge Art Center Michigan State University, East Lansing, Michigan
The Shepherd of the Beyond: Death Personified in Art, University Art Museum, Binghamton New York.
Small Things, Davis Dominguez Gallery, Tucson Arizona
Crossovers and Composites: Hybrid Forms, Techniques, and Media. A.D. Gallery, University of North Carolina at Pembroke
Histories: Figuring It Out, Maloney Art Gallery, College of Saint Elizabeth, Morristown, New Jersey,
Perspective: A Fresh Look at Contemporary Painting and Drawing, International Arts and Artists, Hillyer Art Space, Washington, D.C.
Figyer, Spool Contemporary Art Space, Johnson City New York
2014
Assemble, Whitney Center for the Arts, Pittsfield Massachusetts
Object Abuse, Mc Cormack and Gent Curatorial Project. Spinach Gallery, London, United Kingdom
Affinities, Dialogues and Divergences, University Art Museum, Binghamton, New York
Decompositions, Allen Priebo Art Gallery, University of Wisconsin Oshkosh, Wisconsin
Sustainability, Diane Kind Gallery Tiffin University, Tiffin, Ohio
Body Language, Orange County Center for Contemporary Art, Santa Ana, California
Cartography: Artists as Mapmakers, Schweinfurt Art Center, And Auburn New York.
The Living Mark, Verum Ultimam Gallery, Portland Oregon
Outdoor Sculpture, The Broody Sculpture Garden, SUNY Geneseo
Tiny Worlds, New Bohemian Gallery, Franklin Arts Center, Brainerd, Minnesota.
An Aberrant View, Ann Street Gallery, Newburg, New York
Fortune’s Nest, Exhibit A Contemporary Art.Corning New York
2013
Selections from the Permanent Collection, Coromical Gallery, South Bend Museum of Art, South Bend, Indiana
Less is More, Michael Gallery, St. John’s College, Annapolis, Maryland
Causes and Effects, Spool Contemporary Art Johnson City, New York
Darkness at the Edge, Propeller Center for the Visual Arts, Main Gallery, Toronto Ontario, Canada.
Echo Art Fair, Novado Cappuccilli, Ronald Gonzalez, Gerald Mead, & Deb Vanderlande. The Central L Building, Buffalo, New York
Gallery Artists, Lear Gallery, Romany Kramoris Garden Building, Sag Harbor, New York.
Art New York, ISE Cultural Foundation, New York, New York
American Art Today, Figures. Bascom Center for the Visual Arts, Highlands, North Carolina.
Marks, Madelon Powers Art Gallery, East Stroudsburg University of Pennsylvania, Stroudsburg, Pennsylvania
New York Bound: International Book Art Biennial, Islip Art Museum, and East Islip, New York.
Forward, Exhibit A Contemporary Art, Corning, New York
Sumter Collects, Sumter County Gallery of Art, Sumter, South Carolina
2012
Art Greenwich, Sea fair Yacht, Delmar Harbor, and Greenwich, Connecticut
Highlights of New Acquisitions, University Art Museum, Binghamton New York
Art Hamptons International Fine Arts Fair, Sculpture Fields of Nova’s Art, Bridgehampton, New York
Phenomena, Phatory Gallery, New York, New York
Up Close, Small Work NYC, Jeffery Leder Gallery, Long Island City, New York.
Home Grown: Sculpture and Painting from the Permanent Collection, Robinson, and Binghamton, New York
Animaliers in Contemporary Art, Graceful Arts Gallery & Studios, Northwester Oklahoma State University, Alva, Oklahoma
Fish International, Lightwell Gallery, University of Oklahoma, School of Art & History.
The Eighth Annual Playwright’s Festival & Exhibition, Know Theatre, Binghamton, New York.
2011
Found Figures, Anthony Brunelli Fine Arts Binghamton, New York
Miniature Work, Wallace Anderson Gallery. Bridgewater State University, Bridgewater Massachusetts
Recontextualizing the Found Object, Martha Gault Gallery, Slippery Rock University, Slippery Rock, Pennsylvania
Recent Acquisitions, South Bend Museum of Art, South Bend, Indiana
2010
The Figure Now, Fine Arts Gallery, Fontbonne University, St Louis, Missouri
Surreal Visions, Susan and Stanley Riefer Gallery, University Art Museum, Binghamton New York.
Drawing in the Expanded Field, Clara Hatton Gallery, Colorado State University, and Fort Collins, Colorado
New Acquisitions to the Brauer Museum’s Permanent Collection, Brauer Museum of Art. Valparaiso University. Valparaiso. Indiana
7 Year Anniversary Group Exhibition, Anthony Brunelli Fine Arts, Binghamton New York
2009
Reclaim Reuse Renew, Atrium Gallery. Ball State University, Muncie Indiana
Visual Thinking, Snite Museum of Art, University of Notre Dame. Notre Dame, Indiana.
Creating Context, Spool mfg., Contemporary Art Space. Johnson City, New York
Salvage: Reclaiming Recycling, The Phillips Museum of Art. Franklin and Marshall College. Lancaster, Pennsylvania.
The Perfect Fit: Shoes tell Stories, Fuller Craft Museum, Brockton, Massachusetts, Traveled Nicolaysen Museum, Casper, Wyoming, Albany Institute of History and Art, Kimball Arts Center. Park City, Utah, Boise Art Museum. Boise, Idaho
Collage & Assemblage, Schweinfurth Memorial Art Center, Auburn, New York.
Paperwork’s: On and Of Paper, Art Gallery University of West Florida, Pensacola, Florida. Catalogue.
Contemporary Manifestations of Memento Mori, Claypool Young Art Gallery, Morehead State University, Morehead Kentucky
Studio Art Faculty Show, University Art Museum, Binghamton University, Binghamton N.Y
Urban Legends in Rural Myths, Stuart Center Gallery, Yue-Kong Pao Hall of Visual and Performing Arts, Perdue University, West Lafayette, Indiana
Creatures, University Art Galleries, Murray State University, Lexington, Kentucky, Traveled Yeiser Art Center Paducah Kentucky
2008
Back to Basics: Exploring Natural Materials, Gallery RFD, Swainsboro, Georgia
Decay, Sixth Street Gallery, Vancouver, Washington
Between Worlds, Curious Matter, Jersey City, New Jersey
Former Visual Arts Fellows at Home on the Cape, Cape Cod Museum of Art, Dennis Massachusetts
Contemporary Sculpture at Chester Wood Celebrating 30 Years, National Trust for Historic Preservation at Chester wood. Stockbridge, Massachusetts
Endoskeleton/Exoskeletal: Sculpture with Armatures, Cheryl Coon, Ronald Gonzalez, Brenda Mallory, Therese Zemlin. Tower Fine Arts Gallery, State University of New York, College of Brockport, New York
The Artistic Domain, Delavan Art Gallery, Syracuse, New York
@ Earthlink.net 6 Artists, Cazenovia College of Art and Design, Cazenovia, New York.
3rd Rochester Biennial Invitational, Memorial Art Gallery, Rochester New York
Between Heaven and Earth: Spiritual Transformation & Sacred Spaces, The College of New Jersey Art Gallery, Jersey City, New Jersey
Elizabeth White Collection & Selections from the Permanent Collection. Sumter County Gallery of Art, Sumter, South Carolina
Stories: Narrative Works from the Permanent Collection, Dickinson Gallery, Robinson Museum Binghamton, New York
2007
Roots: Land Ancestry, Rawls Museum of Art, Courtland, Virgina
Recent Acquisitions, Leech Gallery, Lawrence University, Lawrence, Wisconsin
The Figure: Transcribing the Human Form, Campbell Hall Art Gallery, Western Oregon University, Monmouth, Oregon
Faculty Show, University Art Museum Binghamton University, Binghamton, New York.
Deviant Behavior, Artforms Alternative, Miami, Florida
Human Figure, Long Beach Arts Contemporary, Long Beach, California
The Halpert Biennial, Turchin Center for the Arts, Boone, North Carolina
The Textural Figure, Ronald Gonzalez, Ann Weiner, Gail Skudera, Foreman Gallery, Hartwick College, Oneonta, New York
A Sense of Place, The Torpedo Factory, Alexandria, Virginia
ID, Self-Portraiture in Contemporary Sculpture, The Rosenberg Gallery, Gouchar College, Baltimore Maryland, Traveled: Schmucker Art Gallery, Gettysburg College, and Gettysburg, Pennsylvania
Permanent Acquisitions and Loans, The Frost Museum, Primera Casa Building, Florida International University, Miami Florida
2006
International Assemblage Artists Exhibition, Gallery 24, Berlin, Germany
Locks; Hair in Contemporary Art, Arts and Literature Laboratory, New Haven, Connecticut
Sculpture: Cast Carved and Assembled, Schweinfurth Memorial Arts Center, Auburn
Collage & Assemblage, The Philip & Muriel Berman Museum of Art, Collegeville, PA.
Accessibility: The Sumter International Sculpture Symposium, Sumter, South Carolina
Seekers & Visions, Gallery 181, Lawrence, Massachusetts
American Diaspora: Transformation in The Age of Uncertainty, Victory Hall Cultural Center, Jersey City, New Jersey
Erotic Art, Canvas Gallery, Dallas, Texas
Small Works, Organization of Independent Artists, New York, New York
Art of Horror, Altered Esthetics, Minneapolis, Minnesota
Forms, Figures, Symbols, Shy Rabbit Contemporary Art, Pagosa Springs, Colorado.
Recent Gifts and Acquisitions, Cape Cod Museum of Art, Dennis, Massachusetts.
Amnesties, Spool mfg, Contemporary Art Space, Johnson City, New York
Showcase: Contemporary Drawings, The Cortland House Estate, Cortland New York,
The Face, Irma Ahearn Gallery, Roberson Museum, Binghamton, New York
2005
Insatiable Desires, Fisher Art Gallery, University of Southern California at Los Angeles.
And Death, New Space Gallery, Manchester Community College, Manchester Connecticut.
Transmigrations. Works by Don DeMauro, Ronald Gonzalez, Ken Jacobs. Ahearn Gallery, Roberson Museum Binghamton New York
Faculty Exhibition, University Art Museum, Binghamton University, Binghamton, New York
Reshaping Thinking, Avenue Art Gallery, Endicott, New York
Inaugural Exhibition, Big Picture Gallery, Cortland New York
Resume, Spool mfg, Contemporary Art Space, Johnson City, New York.
Alumni Show, University Art Museum, Binghamton, New York
2004
Cosmos & Chaos: A Cultural Paradox, Roberson Museum and Science Center, Binghamton, New York
Memory. Salina Arts Center, Salina, Kansas
Public Notice: New Sculpture, At Art OMI, The Fields Sculpture Park, Ghent
Transfiguration, Absolute Art Gallery, San Marino, California
Representations of Resistance, Spool mfg, Contemporary Art Space, Johnson City, New York.
2003
African Influence in Contemporary Art, The Illinois Institute of Art, Chicago, Illinois.
Go Figure! Manifestations of the Human Form in Contemporary Art, Martin and Doris Rosen Galleries, Turchin Center for the Visual Arts, Appalachian State University, Boone, North Carolina.
Kitbashers: Exploring Notions of Assembly, Ronald Gonzalez, Houston Hill, and Ming-Yi-Sung. Union Art Gallery, Towson University, Towson, Maryland
Fully Integrated: Cultural Integration, Aesthetic Influences, Dega Gallery, McLean, Virginia
Site Specific Seventy, Monarch Contemporary Art Center and Sculpture Park, Tenino, Washington.
Earth Workers Now, High Desert Nature Museum, Yucca Valley, Mohave Desert, California.
Mute, Cade Center for the Arts, Anne Arundel Community College, Arnold, Maryland.
Stream of Consciousness, Union Street Gallery, Chicago Illinois
Paying Attention, Creative Arts Workshop, New Haven, Connecticut
Sculpture from The Vault, Art Museum, Binghamton University, Binghamton, New York
Specific Bodies, Anonymous Remains: Works by Don DeMauro, Ronald Gonzalez, Milton Kessler, Spool mfg. Contemporary Art Space, Johnson City, New York
Diffusion, Assimilation, Appropriation: A Collaboration, Institute Cultural Peruano Norte Americano, Lima, Peru, Traveled: Paradiso Gallery, Milwaukee, Wisconsin
Alumni Exhibition, Art Museum, Binghamton University, Binghamton, New York.
Random Selection, George Waters Gallery, Elmira College, Elmira, New York
Faculty Exhibition, University Art Museum, Binghamton, New York
2002
In Response, Savannah College of Art and Design, Savannah, Georgia
Affinities/Alliances, Spool mfg Contemporary Art Space, Johnson City, New York
Re-Figured, South Shore Art Center, Conasset, Massachusetts
Linked Forms: Selected Acquisitions 1997-2002, Laumeier Sculpture Park, Saint Louis, Missouri.
Art of the New Millennium, The New York Collection. Endicott, New York
2001
Morbid Curiosity: Works by Ronald Gonzalez and Sally Thomas, DePaul University, Gallery of Art, Chicago Illinois
The Human Form, Gallery 213, Binghamton, New York
Celebration: Tenth Year Commemorative Retrospective, Stone Quarry Hill Art Park, Cazenovia, New York
Figurative Work, The Robert Mary Montgomery Art Center, West Palm Beach, Florida
Alumni, University Art Museum, Binghamton, New York
Futur Skulpture, McLean Project for the Arts, McLean, Virginia
The Human Form, Gallery 213, Binghamton New York
Faculty Works, University Art Museum, Binghamton, New York
Around the World with Roberson, Ward Ford Wing Gallery, Binghamton, New York
2000
Spirituality, George Waters Gallery, Elmira College, Elmira, New York
Faculty Exhibition, University Art Museum, Binghamton, New York
Celebrating YADDO Artists, Williamsburg Art and Historical Center, Brooklyn, New York.
Crosscurrents, Walter Anderson Museum of Art, Ocean Springs, Missouri
Notions of Beauty, Neda Freidman Gallery, Upstate Art, Phoenecia, New York
El Dia De Los Muertos, Wiseman and Firehouse Galleries, Rogue Community College, Grants Pass, Oregon
New Works from New Faculty, Rosefsky Gallery, Binghamton University, Binghamton, New York
Tunnels, Art Omni Sculpture Park, Ghent, New York.
Little Art. Art Link Contemporary Art Gallery, Little Art, Fort Wayne, Indiana
Figuration: The Body in Question, The Fredericksburg Center for the Creative Arts, Fredericksburg, Virginia
Salon, Old City Gallery, Philadelphia, Pennsylvania
1999
Crossing Boundaries: Jamex and Einar de laTorre, Steven LaPonsie, Ronald Gonzalez, Fisher Art Gallery, University of Southern California, Los Angeles, California
Traps. Fine Arts Gallery, Broward Community College, Davie, Florida
Materials, Substance, Form: To Last or Not to Last, Pyramid Art Center, Rochester, New York
BODY, The Salina Art Center, Salina, Kansas, Traveled: Erman B. White Gallery, El Dorado Kansas, Fort Hays State University, Fort Hays, Kansas, Mulvane Art Museum, Topeka, Kansas
A New Art Center for A New Century, Grand Opening. John Michael Kohler Art Center, Sheboygan, Wisconsin
The Roundabout Biennial Sculpture Exhibition, Kingston Urban Cultural Parks Center, Kingston, New York
20th Century Sculpture from The Permanent Collection, Everson Museum, Syracuse, New York
Gallery Artists, Berta Walker Gallery, Provincetown, Massachusetts
The Fine Arts Work Center 23rd Anniversary Exhibition and Auction, Fine Arts Work Center, Provincetown
1998
The Fields Inaugural Outdoor Sculpture Exhibition, Art Omi Sculpture Park, Ghent, New York
I-Sty, John Ahearn Gallery, Roberson Museum, Binghamton, New York
1997
Neuberger Museum of Art Biennial Exhibition of Public Art, Neuberger Museum of Art, State University of New York Purchase, New York
Spoleto Festival U.S.A., Human/Nature: Art and Landscape in Charleston and the Low Country, Gibbes Museum of Art, Magnolia Cemetery, Charleston, South Carolina
Traces of Healing. Atrium Gallery, University of Connecticut, Storrs, Connecticut
Recent Acquisitions, J. Stanley Coyne Gallery, Everson Museum, Syracuse, New York
The Museum’s Collections: Past Directions/New Visions, 30th Anniversary Exhibition, William Benton Museum of Art, Storrs, Connecticut
1996
Casts of Character: The Factory and Beyond, John Michael Kohler Arts Center, Sheboygan, Wisconsin
Made In New York, Schweinforth Memorial Art Center, Auburn, New York
Modern Primitives, Folk Art Gallery, Baltimore, Maryland
Summer Show, Zinc Contemporary Art, Blue water Bay, Florida
Sculpture, Ute Stebich Gallery, Lenox, Massachusetts
1995
Noche de Risa Altars, UCLA at the Armand Hammer Museum, Los Angeles, California.
Exploring Undefined Boundaries, Montclair State University, New Jersey
Exposure and Vulnerability, Brooklyn Waterfront Artists’ Coalition, Empire Fulton State Park, Brooklyn, New York
Latent August, The Legacy of Hiroshima and Nagasaki, National Japanese American Historical Society, And Francisco, California
Figuratively Speaking, The Upstairs Gallery, Ithaca, New York
Second Sight, Zinc Contemporary Art, Blue water Bay, Florida
Gallery Artists’, Summer Group Show, Ute Stebich Gallery, Lenox, Massachusetts
Drawings by Sculptors, Kirkland Art Center, Clinton, New York
Circus of the Soul, Plaza Gallery, City Hall, Binghamton New York
1994
The Art of Healing: When Death Is Near, Syracuse University Hospital, Syracuse, New York
Materials and Faith: Seven Contemporary Artists, William Busta Gallery, Cleveland, Ohio.
Inside Out, Public Spaces/Private Visions, Stone Quarry Hill Art Park, Cazenovia, New York.
Recent Gifts and Acquisitions, University Gallery, Fine Arts Center, University of Massachusetts, Amherst, Massachusetts
The Definitive Decade Show, Elmira, A Center for Contemporary Art, Newark, New Jersey.
1993
Revelations/Revelations: Hispanic Art of Evanescence, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Images of Destruction and Regeneration, Middle Tennessee State University, Murfreesboro, Tennessee, Traveled: Visual Arts Alliance of Nashville, The Social Movement Gallery, Nashville, Tennessee.
Latin American, Contemporary, Tribal and Self-Taught Artists, Cavin Morris Gallery Incorporated, New York, New York
Engaged Cultures, Harnett Gallery, University of Rochester, New York Traveled: The College of Rose, Albany, New York, Michael C. Rockefeller Gallery, Fredonia, New York, Hofstra Museum, Hofstra University, Hempstead, New York, The Philharmonic Center, Naples, Florida,
Small Works by Gallery Artists, Cavin Morris Gallery Incorporated, New York, New York
Form and Space, Robinson Museum and Science Center, Binghamton, New York
The El Charcon Sister City Project Invitational, Plaza Gallery, Binghamton New York
1992
Cross Cultural Explorations, Woodruff Art Center, Atlanta College of Art, Atlanta, Georgia
The Migrations of Meaning, INTAR Gallery, New York, New York, Hill wood Art Museum, C. W. Post Long Island University, Long Island, New York Pittsburgh Center for The Arts, Pittsburgh, Pennsylvania, Lehigh Art Galleries, Bethlehem, Pennsylvania
Myth and Magic: The Influence of Religion and Folk Art on Contemporary Mexican And Latin American Art, The Powerhouse, Washington, D.C.
Identities, Art House Odeon, Sag Harbor, New York
Ideo-Syncretics: Ernesto de la Vaga-Pujol, Andrzej Cisowski, Ronald Gonzalez, Cavin Morris Gallery Incorporated, New York, New York
Salon: More Than a Group Show, Art in General, New York, New York.
New Acquisitions, Everhart Museum, Scranton, Pennsylvania
Gallery Choices, Cavin Morris Gallery Incorporated, New York, New York
Recent Acquisitions from The Permanent Collection, Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York
Solid Fun, Triplex Gallery, City University, New York, New York
Access and Exclusion, University Art Gallery, State University of New York at Binghamton, New York
1991
Art Miami ’91, Miami Beach Convention Center Hall, OPUS Gallery, Miami, Florida
Vignettes: Small Work So Placed, Art Gallery, Bemis Building, University of Omaha, Nebraska
Seven Visions: The Spirit of Religion in Contemporary Regional Art, Flack and Tripp-Rose Galleries, Arnot Art Museum, Elmira, New York. Traveled: Roberson Museum, Binghamton, New York.
1990
Recent Trends in Works of Art on Paper, Museo de Arte Moderno, Buenos Aires, Argentina
Emerging Artists, Capital Cities/ABC Incorporated, New York, New York
Sculpture Space Benefit Invitational, Stanley Theater Gallery, Utica, New York
Sculptors’ Drawings, East Hampton Center for Contemporary Art, East Hampton, New York
Regarding Art: Artwork About Art, John Michael Kohler Art Center, and Sheboygan, Wisconsin. Sally Hawkins Gallery, New York, New York
New Talent, Sally Hawkins Gallery, New York, New York
Aging: The Process, The Perception, Forum Gallery, Jamestown Community College, Jamestown, New York. Traveled: Art Gallery, Towson State University, Maryland, The Continental Art Gallery, New York, New York, Tyler Art Gallery, State University of New York at Oswego, New York, Suffolk Community College, Riverhead, New York, Herkimer County Community College, Herkimer, New York, The College of Saint Rose, Albany, New York
1989
The Maquette, Construct Gallery, Phoenix, Arizona
Contemporary Saints, Henry Street Settlement, New York, New York, Traveled: P.S. 39, Bronx Council on The Arts, Bronx, New York
Sculpture Biennial ’89, The University of Texas at Tyler, Texas
Directions in Collecting: Recent Acquisitions, Roberson Museum and Science Center, Binghamton, New York
The Family in Contemporary Art, NEXUS Foundation, Philadelphia, Pennsylvania
Form and Figure: Contemporary Sculpture, Tempe Arts Center, Tempe, Arizona.
Highlights: Selected Gallery Artists, Allan Stone Gallery, New York, New York.
Objects/Figures, Ronald Gonzalez, Nene Humphrey, Grace Knowlton, Debra Weisberg, East Hampton Center for Contemporary Art, East Hampton, New York
Dashboard Art, John Michael Kohler Art Center, Sheboygan, Wisconsin
1988
New Visions of The Apocalypse, Museum of Art, Rhode Island School of Design, Providence, Rhode Island
Second Hand: An Exhibition of Contemporary Found Object Art. John Balsley, Ronald Gonzalez, Ken Little, Dave Quick, The John Michael Kohler Art Center, Sheboygan, Wisconsin
Personal Visions, Bevier Gallery, Rochester Institute of Technology, Rochester, New York
Facts of The Imagination. Washington State University Museum of Art, Pullman, Washington. Traveled: Whitcomb Museum of History and Art, Bellingham, Washington
The Sacred and Profane: Shrines and Altarpieces, Foreman Gallery, Hartwick College, Oneonta, New York
New American Talent, Laguna Gloria Art Museum, Austin, Texas
Installations: Patrick Dougherty, Ronald Gonzalez, Jane Green gold, Martin Johnson, Robert Mark Packer, Newhouse Gallery, Snug Harbor Cultural Center, Staten Island, New York
Artists of Central New York State, Museum of Art, Munson Williams Proctor Institute, Utica, New York
The Box Show. Art Phase I Gallery, Chicago, Illinois
City Habitants, Within and Without, Grace Gallery, New York Technical College, Brooklyn, New York
Figurative Artists, Catherine Smith Gallery, Appalachian State University, Boone, North Carolina.
Upstate Invitational, Pyramid Art Center, Rochester, New York
The Third International Shoebox Sculpture Exhibition, University of Hawaii at Manoa, Hawaii, Traveled: Culture Gallery, Council for Cultural Planning And Development, Taipei, Taiwan, Taiwan Museum Of Art, Taihung, Taiwan, Anchorage Museum of History And Art, Anchorage, Alaska, University of Alaska Museum, Fairbanks, Alaska, Florida State University, Tallahassee, Florida, Brevard Art Center And Museum, Melbourne, Florida,, Edison Community College, Fort Myers, Florida, Nora Eccles Harrison Museum of Art, State University at Logan, Utah, Montgomery Art Museum, Montgomery, Alabama. Mitchell Museum, Mount Vernon, Illinois
The NYSCA Show, ABC No Rio, New York, New York
1987
The Human Form, Galleria Mesa, Mesa, Arizona
New Work New York, Clinton West Corporation, Ithaca, New York
For Love or Money, Cameron University, Lawton, Oklahoma
Art of The Matter: Ideas, Spirit and Future, BC Space Gallery, Laguna Beach, California
Social Terrorism, Mobous Gallery, Boston, Massachusetts
Dedication, Ronald Gonzalez; Performance, Ken Jacobs; Poetry, Milton Kessler, Art Theatre, Binghamton, New York
Six Divided by Two, Jackie Felix, Ronald Gonzalez, Richard Metzar. Bethune Art Gallery, State University of New York at Buffalo, New York
1986
Repulsion: Aesthetics of The Grotesque, Alternative Museum, New York, New York
Vinculous: Latin American Mysticism/North American Materialism, Ronald Gonzalez, Patricia Rodriguez, Luis Serrano, Paul Sierra. Mendenhall Gallery, Whittier College, Whittier, California.
The Evils of Power, Southeastern Massachusetts University Gallery, College of Visual and Performing Arts, North Dartmouth, Massachusetts
New Visions of Family. Muhlenberg College, Allentown, Pennsylvania
Toys, Art, Us, P.S. 39, Bronx Council on the Arts, Bronx, New York
Small Works in Sculpture, Schoharie Arts Center, Fine Arts Gallery, Cobleskill, New York
Susquehanna Regional, Ahearn Gallery, RobersonCenter for the Arts and Sciences, Binghamton, New York
1985
Current Visions: A Contemporary Survey, Germantown Art Gallery, Rochester, New York.
Talent ’85, Allen Stone Gallery, New York, New York
Day of The Dead, Cameron University, Lawton, Oklahoma
Alternatives in the Arts, University Art Gallery, State University of New York at Binghamton, Binghamton, New York
A Different Drummer, Plaza Gallery, City Hall, Binghamton New York
Three Rivers Arts Festival, Wintergarden Art Gallery, Pittsburg Pennsylvania
Faculty Exhibition, University Art Museum, Binghamton, New York
1984
Regional 84, Arnot Art Museum, Elmira, New York
Everson Biennial, Everson Museum of Art, Syracuse New York
Alternatives in the Arts, University Art Museum, State University of New York
SELECTED AWARDS / RESIDENCIES——————————————————————–
Visiting Artist and Scholars Program, American Academy in Rome, 2021 (declined due to pandemic), New York State Council on the Arts Decentralization Project Grant, 2021, Binghamton University Chancellor’s Award for Excellence in Scholarship and Creative Activities, Binghamton University, New York, 2014, Jean-Pierre Milleur Faculty Research, University Development Grant, Binghamton University, 2012, De Cordova Museum and Sculpture Park, Project Commission, Lincoln, Massachusetts, 2007, Savannah College of Art and Design, Artist Residency and Project Commission, Savannah, Georgia, 2002, Binghamton University, New York, 2012, Binghamton University Research Award, 2001, 2002, United Fund Project Grant, Binghamton Council on the Arts, New York, 2002, 2004, Savannah College of Art and Design, Artist Residency and Project Commission, Savannah, Georgia, 2002, Salina Arts Center, Artist Residency and Commission, Salina Kansas, 2000, Laumeier Sculpture Park, Project Commission, St. Louis, Missouri, 2000, The Fields Art Omi Sculpture Park Project Artist Residency, Gent, New York, 2000, The Corporation of Yaddo Artist Residency, Saratoga Springs, New York, 1998, The Adolph and Esther Gottlieb Foundation Individual Fellowship, 1999, Race Point Lighthouse, Artist Residency, Provincetown Center for the Arts, Provincetown, Massachusetts, 1998, The Grant Pollock-Krasner Foundation Grant,1998, 1996, University of North Carolina at Chapel Hill Artist Teaching Residency and Project Commission, Chapel Hill, North Carolina, 1996, Neuberger Museum of Art Project Commission, 1997, New York Foundation for the Arts SOS Grant, 1996, 1993, Woodruff Art Center, Atlanta College of Art, Project Commission, Atlanta Georgia, 1996, Cornell University Artists Teaching Residency, Ithaca, New York, 1993, New York State Council on the Arts Project Grant, 1989, 1988, Sculpture Space Artist Residency, Utica, New York, 1993, 1989, John Michael Kohler Arts and Industry Artist Residency,, Sheboygan, Wisconsin, 1988, Robinson Museum Artist Residency 1988, Research Foundation Exhibition Grant, Binghamton University, New York, 1983
SELECTED PUBLIC / PRIVATE COLLECTIONS———————————————————-
Allan Stone Collects, Purchase, New York
Amherst Gallery of Art, University of Massachusetts, Amherst, Massachusetts
Art Theater, Binghamton, New York
Allen Weiss, New York, New York
Beej Nierengarten and James Smith Collection, Santa Fe, New Mexico
Brauer Museum, Valparaiso, Indiana
Betty Krulik Fine Art Limited. New York, New York
Cape Cod Museum of Art, Dennis, Massachusetts
Capital Cities, ABC Incorporated, New York, New York
Center for Coastal Studies, Provincetown, Massachusetts
DePaul University Art Gallery, Chicago, Illinois
Dowd Fine Arts Center, State University of New York, Cortland, New York
Everhart Museum, Scranton, Pennsylvania
Everson Museum of Art, Syracuse, New York
Fisher Art Gallery, University of Southern California, Los Angeles, California
Folk Arts Gallery, Baltimore, Maryland
Fort Hays University, Hays, Kansas
Walker Ford Collection, Gross Point, Michigan
Gibbs Museum of Art, Charlestown, South Carolina
Halsey Institute of Contemporary Art, Charleston, South Carolina
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Hobart William Smith College. Geneva, New York
John Michael Kohler Art Center, Sheboygan, Wisconsin
Joseph Blank Contemporary Sculpture, Premium Point, New York
Jeremy Wagner and Kymberly Foglia, Miami, Florida
Kenneth and Florence Jacobs, New York, New York
Laumeier Sculpture Park, St. Louis, Missouri
Leader- Lockert-Bridge Galleries at SUNY Geneseo, New York
Philippe Leloup Collection, Paris, France
Magnolia Cemetery, Charleston, South Carolina
Max Schulz, Manhattan Beach California
Marianna Kistler Beach Museum of Art, University of Kansas, Lawrence, Kansas
Memorial Art Museum of the University of Rochester, Rochester New York
Mulvane Art Museum, Washburn University, Topeka, Kansas
Munson-William-Proctor Institute Museum of Art, Utica, New York
Museum of Contemporary and Hispanic Art, New York, New York
Neuberger Museum of Art, Purchase College, Purchase, New York
National Watch and Clock Museum, Columbia, Pennsylvania
Robert Puglisi, New York, New York
Patricia and Phillip Frost Art Museum, Florida International University
Pear Design Company, Endicott, New York
Philip Samuels Fine Art, St. Louis, Missouri
Provincetown Center for the Arts, Provincetown, Massachusetts
Rahr West Art Museum, Manitowoc, Wisconsin
Ricardo Pao-Llosa Collects,Coral Gables, Florida
Roberson Museum of Art, Binghamton, New York
Primo Piano Palmieri Foundation, Lecce, Italy,
Saralyn Reece Hardy, Lawrence, Kansas,
Security Mutual Insurance Company, Binghamton, New York
South Bend Museum of Art, South Bend, Indiana
St. Lawrence University, Canton, New York
Spool MFG. Contemporary Art Space Johnson City, New York
Sumter County Cultural Center, Sumter, South Carolina
Francis and Louis Mitchel Schaul, Cleveland, Ohio
Snite Museum of Art, University of Notre Dame, Indiana.
Tone Moller, Eric van Droogenbroek Collection, Aruba
Trout Gallery of Art, Dickinson College, Carlisle, Pennsylvania
Tower Fine Arts Gallery, State University of New York, Brockport, New York
Turchin Center for the Arts, Boone, North Carolina
University Art Museum, State University of New York, Binghamton, New York
Ute Stebich Collection, Lenox, Massachusetts
U.S. Embassy Collection, Cotonou, Republic of Benin, Africa
Wadsworth Athenaeum, Hartford, Connecticut
Waterloo Museum of Art, Waterloo, Iowa
William Benton Museum of Art, Storrs, Connecticut
Wriston Art Galleries, Lawrence University, Lawrence, Wisconsin
BIBLIOGRAPHY——————————————————————————————
2024
Bell, Robert, Rochester Contemporary Art Center exhibits national talent in March, Rochester Democrat and Chronicle, illus, photo of the artist, blue truck, page 8, March 1,
Khelashvili,Tamar, 101 Contemporary Artists, Volume 5 Page, 150, Illus, Child, February, Tbilisi, Georgia,
Hussain, Shinam, The Art of Detail, CA displays a new exhibit on connection between human emotion and worn materials, The Muhlenberg Weekly, page, 4 Illus. Head, February 1
https://www.touchstonegallery.com/exhibits-all/2024/1/12/figure
Hawking / Gonzalez -Rochester Contempory Art, Mutual Art, https://www.mutualart.com/Exhibition/Cynthia-Hawkins—Ronald-Gonzalez–Hawki/18E4C7FA242EA0B6,March 1
Ronald Gonzalez, Humanly Possible, https://www.muhlenberg.edu/gallery
Other -Worldly drawing exhibition features nine artists, https://www.westminster.edu/about/news/release.cfm?id=10732, January 19
2023
Collect Art Magazine, Drawings and Sketches, Special Edition, Vol.17. Illus.Pages 9-11, Tbilisi, Georgia, January
Pelliccia, Lindsay, Contemporary Jo Magazine, Salvaged Head, Issue 3 March 28 Flickr,file:///Users/ronaldgonzalez/Desktop/Ronald%20Gonzalez%20-%20As%20A%20Child%20I%20Sailed%20the%20World%20Flickr.html
Carpentieri, Toti, Tracce del tempo, collettiva con artisti da tutto il mondo, LI TEMA, page 5, May 9, 2023
Polo, di Raffaela, Mostra Collettiva Di Prestigiosi Artist International, A Lecce D a Sabato 20, Pianeta Terra, May 20, Illus. Bed Assemblage,
De Marco, Flavio, Contatta La Redazione, Inaugurazione sabato 20 maggio della mostra d’ arte contemporanea trace del tempo, May, 10
2022
Traka’s Judy, Time will Tell exhibition at Au Coburn Gallery, Ashland University, New Center, May, 24
Whitman, Arthur, Trumansburg Conservatory Itself, Repurposed, Host Repurposed Art, Art, Ithaca.com November 16
Social Media Spotlight, Tri State Sculptors Ronald Gonzalez
Pigeon Review an art and literary journal, Art, Ronald Gonzalez, Profile page, March 15
Art Seen Magazine, Ronald Gonzalez Curators Salon, Issue 3 Pape 77, Spring 2022
Wickham Jessica, ALTERED: Changed, Repurposed, Reconsidered, Tompkins Weekly. Events,October 30
Pigeon Review an art and literary journal, Art, Ronald Gonzalez, Profile page, March 15
2021
Art 43 Magazine, Best of the Best Artists of 2021, Annual issue December 31, illus.
The Working Artist Magazine IX, October issue, Illus. United Kingdom
Paper west- National works on paper, e:///Users/ronaldgonzalez/Desktop/PaperWest – 3rd
Huynh HC., Art in Isolation, ART%20IN%20ISOLATION%20—%20HC%20HUYNH.html
Supersonic Art, SUPERSONIC%20ART%20Ronald%20Gonzalez,%C2%A0“The%20Mortifacts%20of
National Works on Paper Juried Exhibition – Department of Art & Art History.htm October 5
Norton, Amy, Group Show Straddles the Line at the Waiting Room Gallery, Your Hub, October 7
Mc cloud, Mark, Art over Time. Art Hag, August 3, Illus. https://arthag.typepad.com/arthag/2021/08/art-over-time-celebrating-senior-artists.html
Ronald Gonzalez/ The Mortifacts of Memory, file:///Users/ronaldgonzalez/Desktop/MutualArt.com%20-%20The%20Web’s%20Largest%20Art%20Information%20Service.htmlhttps://supersonicart.com/post/665492907526078464/ronald-gonzalez-the-mortifacts-of-memory
https://www.invaluable.com/artist/gonzalez-ronald-fbwfodx836/sold-at-auction-prices/
http://www.artnet.com/artists/ronald-gonzalez/
Psched by 4d Witch, https://p4dw.tumblr.com/
2020
Chemotti, Mary, Cedarburg Art Museum Announces Awards for master’s and Muses, News Graphic, October 132, Illus.
Chemotti, Mary, Every Artist Found Muse, Cedarburg Art Museum October 15, Illus. https://drive.google.com/file/d/1FZJz0Dyj4XpNP4Xls4BwOeWgfVjUUkd5/view
https://drive.google.com/file/d/1FZJz0Dyj4XpNP4Xls4BwOeWgfVjUUkd5/view
Edge of Humanity Magazine, Ronald Gonzalez, Feature, Artifacts from The Trenches, War Relics, July 31, Illus.
Murze Magazine, Issue 12, Ronald Gonzalez, Artist Profile, Birth, Unraveling Man, Page 56, June 10.illus.
Art Connects Magazine, Life in Quarantine, Profile, Healing, Berlin, Page 4 Illus. April 3,
Benhadj Algiers, Ronald Gonzalez, Feature, AL-Tiba9 Magazine of International Contemporary Art, Issue #4 Pages 51-55 Ills, Barcelona, Spain, April 1,
Gramm, Anne, Ronald Gonzalez, Featured Artist, Interview, Art Reveal Magazine No. 52, February, pages, 5, 48-52 illus.
Glynn, Aran, Borderline Magazine, Issue 1, February, Feeding, Page 23, illus.
Magazine of Contemporary Art, https://www.themagazineofcontemporaryart.com/artists/ronald-gonzalez September 8, Illus.
Cape Cod Museum of Art, Gatherings, file:///Users/ronaldgonzalez/Desktop/GATHERINGS.html
Wernecke, Elena, Maquette for Tunnels, Fresh Writing, Volume 19 University of Notre Dame, June 2020 Ills
2019
Outsider Art Magazine, Artists from the Outside, Issue two, Suddenly Shocked, Fear of Time, Pages 31-32 October 27, Illus.
Smith Andy, Conjoined Vs. Grotesque Group Show Celebrates the Monstrous, Hi Fructose Magazine, January 17
Hart, Kaitlyn, Knox Than, Restored Art Sculpture Unveiled at Peace Quade, Pipe Deram, Vol.XCVI Issue 9, September 23, 2019
Natalia Joruk. Chet Zar & Jeremy Wagner Present: ‘CONJOINED VS. GROTESQUE’ Celebrating the Denizens of the Dark @ Copro Gallery. https://beautifulbizarre.net/2019/01/19/in-progress-chet-zar-jeremy-wagner-conjoined-vs-grotesque-denizens-of-the-dark-copro-gallery/
Average Art Magazine, UK. No.31, Illus. Gasp. February 23, 2019
Ronald Gonzalez: Mortal Portraits/Scraps/Grotesques & Other Personas, https://rsvpa.witf.org/event/ronald-gonzalez-mortal-portraits-scraps-grotesques-other-personas-2/2019-10-11/
http://losslucidity.blogspot.com/search/label/Ronald%20Gonzalez
Featured today is this tiny sculpture ‘Dirty Legs’ by Ronald Gonzalez. On view now at AIR Gallery from now until 10th March. #ronaldgonzalez #dirtylegs #AIRGallery #art #exhibition #AIR #altrincham #trafford #manchester #female male #gender#media #contemporary #artists
http://losslucidity.blogspot.com/
https://foundwork.art/about Found works
https://www.singulart.com/en/artist/ronald-gonzalez-4291
Superschif Gallery at Miami Art Badel April 16, https://www.superchiefgallery.com/blogs/news/superchief-gallery-at-miami-art-basel-scope-juxtapoz-club-house-aqua-superchief-gallery-miami
2018
Staff, Casey, That’s Where Binghamton Comes In, Outstanding Academics, Binghamton University,U-tube,https://www.youtube.com/playlist?list=PL4axz0nXAvkwMeTHTLhwnoR05e5I-tYBa November 19,
Gladden, Michelle, Recycled, Art 629, Exhibit Feature Eight Sustainably Conscious Artists, Asbury Park Sun, April 27, Page 4
Fox, Jonathan, People, Planet, Politics, The River Reporter, January 1. Page 6
Fox, Jonathan, 14 artists channel natural and political fury in new exhibit, The Pike County Courier February 9,
Smith, Andy, Sculptor Ronald Gonzalez’s Disconcerting ‘Heads,’ Hi Fructose Magazine, hifructose.com/2018/03/21/sculptor-ronald-gonzalezs-disconcerting-heads/ March 21, 2018
Hyman Chloe, Juxtapoz Clubhouse, (Miami Art Week) Canvas, and Crumpets, https://canvasandcrumpets.com/about/ February 2.
Gorden, Nicole, Jonathan Levine Projects: Things Portrayed by Ronald Gonzalez & New Drawings by Ben Dolman, Sold Magazine June 23, 2018
360 Magazine, The Untitled Space X Defing Form, https://the360mag.com/tag/ronald-gonzalez/ June 22,
Juxtapoz Magazine, Ronald Gonzalez on His Enthusiasm for TV, Teaching From Experience, And Finding Home, https://www.juxtapoz.com/news/sculpture/ronald-gonzalez-disassembles-and-recreates-the-surviving-vestiges-of-time/ June 23, Illus.
Schwarzstein, Cindy, Cartwheel Magazine, Event Coverage: Photo/ Video Highlights from the Littleopia section at LA Art Show, http://www.cartwheelart.com/2018/02/11/event-coverage-photo-video-highlights-from-the-littletopia-section-at-the-2018-la-art-show-by-cindy-schwarzstein/ January 11, Illus.
3×3 Magazine of Contemporary Illustration, Jonathan Levine is looking for a Few Good Artists, http://blog.3x3mag.com/2018/04/jonathan-levine-gallery-is-looking-for.html, April 17,
Wall Street International Magazine, Things-portrayed Things Portrayed at the Jonathan Levine Gallery in Jersey City, United States 6 July 2018
Ronald Gonzalez démonte et récrée les Vestiges du Temps
https://www.chambre237.com/ronald-gonzalez-demonte-recree-vestiges-temps/
Sculpture network. Soft sculpture hard thoughts Jan 28 2018http://pacovallejo.de/bibliography/sculpture_network_soft_sculpture_hard_thoughts.pdf
Jonathan Levine Projects, https://www.soldmagny.com/home/date/2018-06
Gallery Artists, http://www.brooklynstreetart.com/tag/superchief-gallery/, November 18
Wernecke, Elena, Maquette for Tunnels, Fresh Writing, University of Notre Dame, August 2019, https://freshwriting.nd.edu/volumes/2019/essays/maquette-for-tunnels
Unique Sculpture by Ronald Gonzalez, https://delusionalartcompetition.com/american-monsters-david-miller-and-anthony-freda-2-2/https://lab.malamegi.com/art_contest_lab12/artcontestpage1.php?pageid=34
On view now at AIR Gallery from now until 10th March. #ronaldgonzalez #dirtylegs #AIRGallery #art #exhibition #AIR #altrincham #trafford … Feb 18, 2018
2017
A5 Magazine, United Kingdom, December issue Portfolio # 9 Illus. Blind Seers, Page 10,
Nigal Baker, Wotisart Magazine, November issue, London, United Kingdom, Page 4, Ills Blind Seers
Barnard, Mike, Zap Bang Magazine, Modern Panic returns to London for an eight edition, October 12,
Bartels, Meghan, what to do with those confederate statues their taking down, here are some options, MIC online news that counts, Ills, Nicole Gordon, Solid Magazine, Jonathan Levine Projects 1st Annual Winners. August 12. Illus.
Fainstein, Mark, Diverse Regional Art Displays Work of 2017, Courier Times, Page 4 Illus.
Martinique, Elena, Jonathan Levine Projects Host their First Annual Juried Show Wide walls, https://www.widewalls.ch/
Rhang Publications, Ronald Gonzalez https://rhang.org/2017/11/29/ronald-gonzalez/ August 9,
Tonton, Sculptures Fantomatiques de Ronald Gonzalez, Paper blog Magazine Insolite
https://bloody-disgusting.com/books/3535552/gift-guide-jeremy-wagner-releases-new-horror-novel-rabid-heart-joins-grotesque-art-exhibit-ca/
Bressanelli,Carlena, Repurposed on Display in Cummings Gallery. The Merciad, January 17, page 5, Illus.
Foster, I sobel, Upside Magazine, United Kingdom, December issue, Illus.
Lubel, David, Hartwick College’s Foreman Gallery Hosts Gonzalez Exhibit. Hartwick College News, September 7, 2017, Illus.
Lubell, David, Figures on Display at Hartwick Gallery, The Daily Star.com September 15, 2017
Merkle, Karen, Art Reviews, Showcase, Artists Reuse, Renew Reimagine in Mercyhurst Repurposed Exhibition, GoErie.Com, January 12, Illus.
Merkie, Karen, Art Exhibit Opens at Mercyhurst Erie Times News, January 5, Pages20-21 Illus.
Miska, Brad, Jermey Wagner releases new novel Rabid Heart joins Grotesque Art Exhibit in California, November 29, 2018
Fido Muntal, Juxtapoz Clubhouse at Art Basel 2017; December 8, Art Events, https://muralfestival.com/juxtapoz-clubhouse-2017-art-basel-miami/
2016
Alfonseca Klara, Choice Events, Art, Ronald Gonzalez: Recent Sculpture, City Newspaper September 14, P2, Illus.
Mirabito, Roger, From Object to Figure, Today at OCC Campus news, August 24, Page 1 Illus.
Millon, Marie, Nazareth College Art Department to Celebrate Faculty and Visiting Artists with two receptions. Read Media, September 16. Ills
Mellor, Carl, Hanging Out, Syracuse New Times, The Arts Issue, August, 31 page,2
2015
Freeze, Matthew, BU professor’s bright talent yields grim, dark sculptures. Press and Sun Bulletin page 2A and 4A, illus.
Talbot, Justine, Binghamton artist recycles past with assemblage sculpture exhibit, Lamron Arts and Entertainment, Geneseo, New York. February 5, 2015, page 2 & 3 Illustrations.
Haggerty, Tricia, An aberrant View, Safe Harbors on the Hudson, February 15, Illus
Shiles Bob, Sculpture artist Ronald Gonzalez Coming to UNCP, The Robesonian, Features, August 24, Ills
Benintonde, Joni, Two Art Exhibits Debuts at ESU, ESU Insider, September 25, Illus.
Kathern Vaughn, Gonzalez delivers lecture at Davis Gallery, HWS News November 18, illus
Dahimnno, Joseph, Duel Sculpture Exhibits at ESU Pocono Record, October5, Illus.
Fortunes Nest, five exhibits at exhibit A, Art inspire
2014
Wells Ann, My Own Little World, Mountain Home Magazine June 9 Page 6
Hawthorne, Joseph, Pipe dream, April 25, 2014 Page 4 & 5 Binghamton University Art Museum combines permanent collection with Faculty Artwork.
Sangreoory, Frank, Artwork Features environmental Fears, The Advertiser Tribute March 12.
2013
Cigola, Francesca, Collecting Outdoors Art. Guida Al Parchie Guirdini D-Arte Nordeamericani. Princeton Architectural Press, Princeton, New Jersey, page 15.
Leloup, Philippe, Philippe Leloup on Allan Stone, Sotheby’s, EST. 1744 Paris France, September 5
Cigola, Francesca, Art Parks, A Tour of American Sculpture Parks and Gardens. Princeton Architectural Press, Princeton, New Jersey, May 14, page 21. Ilus.
Cotignola, Sage, Art Round Up: Week of 5.31.13. Hamptons Art Hub.
Leon, Esperanza, Art Review: Beauty in Decadence, Sculpture by Ronald Gonzalez. Hamptons Art Hub.Ilus.
Murphy, Maria. Causes and effects at Spool MFG, Carousel April, and Volume 1 issue 2.
Jaxon, John, Bryden, Exhibitions, Times Leader, October, Page 5, 2013
2012
Weiss, Allen S. Monsters, Marvels, Mystery, Morbidity. Melancholy, Incognito Hactenus Vol. 2 Gods & Monsters. Page 45 Illus.
Burnelli John, Exhibition Brochure, Introduction and History, Art Greenwich Greenwich Connecticut May 26 Illus.
Kramplen, Mariana, Dammed to VU. The Torch, Valparaiso Indiana, September 23 Illus.
2011
Miller, Alison, Treasures Pieced Together. The Evening Sun, Hanover, Pennsylvania, February 27, page 3.
Francisco, Emily, Ronald Gonzalez: Private Collection in Schmucker Gallery. The Gettysburg Forum, Gettysburg, Pennsylvania, February 23, page 2.
Cervino, Anthony, Art Prof Lauds Local Exhibit. Gettysburg Times, Gettysburg, Pennsylvania, February 11, page A4.
Pousae, Ward, Sandra, Ronald Gonzalez, Studies for Black Figures, Maquettes and Working Models, Marywood University, Scranton, Pa.
2010
Arnold Anneatte, Museum Features New Donations, Porter County News for The Times, Page 5, June 7
2009
Blair, Michael, Electronic Arts Intermix Ronald Gonzalez. Sculptor, 2009
Reis. Jennifer, MSU To Open Contemporary Art Exhibition. The Harold
Dispatch, Pensacola, Florida, January 21st, page 2.
McQuaid, Cate. Other People Give Voice to his Work. The Boston Globe, Bedford, Massachusetts, June 11th p. 20
2008
Aronson, Ben, Celebrate Spring at Sculpture Park. The Wicked Local News, Lincoln, Massachusetts. March 25, page 3.
Bergeron, Ben, Dig it at Dusk: Twilight Tours at De Cordova Deify the Darkness. Metro West Daily News August 3, Illus.
Dawson, Shirley, MAG Biennial. Rochester Art Review, Rochester, New York. July 14, page 4.
Kowalski, Allison, Campus, community launch endoskeleton, exoskeleton exhibit. Lifestyles, February 6, page 20.
Kowalski, Allison, Exhibit showcases artists from the U.S. Lifestyles, January 30, page 14.
Low, Stuart, Regional Artists Showcase Extremes at MAG’s Rochester Biennial. Democrat and Chronicle, Rochester, New York. July 20. Living Section, Pages 1 & 3C. Illus.
Luis, Fiona, Skipping Through Sculptures. Boston Globe, Boston, Massachusetts. August 23. Page 2.
Norris, Linda, Hunt is on at Chester wood to Find Delight and Adventure in the Forest. Times Union, Albany, New York, September 2008, page 10.
Ortiz, Carlos, Rochester Biennial Exhibit Closes Soon. Democrat and Chronicle, Rochester, New York, September 4, page 3.
Rafferty, Rebecca, Expressive Invitation: 3rd Rochester Biennial. City Newspaper, Rochester, New York, Page 21. Illus.
Rush worth, Katherine. Rushwork, Katherine. Natural Resources –Seven artists explore the tie between art and the environment at a Cazenovia College show. The Post-Standard/Stars, Syracuse, New York, March 9, page 14. Illus.
Stauffer, Heather, New York Artist Exhibit at Dickenson College features sculptures composed, bone, beehives, and animals. The Sentinel. Carlisle, Pennsylvania. September 4. Page 4. Illus.
2007
Anna Teresa, Art Reviews. The Virginian Pilot, January 10, page 4.
Coffee, Denise, Renowned Artists Featured at Shy Rabbit. Pagosa Daily Post, November 4, page 1- 4. Illus.
Coker, Rachel, Gonzalez’s works on display. Inside Binghamton University, Volume 29, Number 13, November 29, page 3. Illus.
Collins, Jane G. Gallery’s Gonzalez, Voros exhibits clever, provocative. The Sumter Item, November 15, page 1C. Illus.
Day, Jeffrey, Arts Ahead the A-List. The State. Columbia, South Carolina. November 18, page E2.
Goebel, Leanne, Forms, Figures, Symbols at Shy Rabbit: Too Much of a Good Thing. September 2007. Leannegoebel.blogspot.com/2007/09/forms-figures-symbols-at-shy-rabbit-too.html
Kramer, Kathryn, Art Reviews, Ronald Gonzalez, Corcoran Gallery of Art. Sculpture Magazine, International Sculpture Center, Washington D.C. Volume 25, No. 9, November Issue. Illus.
Masterjohn, Jules, Arting Around. The Durango Telegraph. Durango, Colorado. November 2, page 1- 3. Illus.
Moore, Ivy. Accessibility 2006 makes international connections. Panorama Press, Sumter, South Carolina. Issue 9, September 24, page 5.
Moore, Ivy, Art Reviews, Explore Identidad. Panorama Press. Sumter, South Carolina. Issue 10 April 6, page 1d.
2006
Moore, Ivy, Gallery opens 2 exhibitions Artist examine experience, form in sculpture, painting. The Item Press. Sumter, South Carolina. November 6, page 4a. Illus.
Moore, Ivy, Sumter County Gallery of Art in Sumter, SC, Features Works by Ronald Gonzalez and David Voros. Carolina Arts. Sumter, South Carolina. Vol 11, No.11 November. Page 38. Illus.
Rabeler, Sylvia, Ronald Gonzalez: Beauty in Death or Shock in Art? The Binghamton Zuzette, Volume 1, Issue 10 October.
Rushworth, Catherine, Pushing Sculpture’s Boundaries: Schweinfuth; s ‘Carved, Cast, & Constructed includes non-traditional three-dimensional art. The Post Standard, Syracuse, New York. April 2, pp 3 & 35 illus.
Gleason, Anne, Trading Furniture for Sculpture. The Citizen, Syracuse, New York, March 6, P.2 Illus.
Girdwain, Jessica, Sculptures on Exhibit, Skaneateles Press, Skaneateles, New York, March 8, p.4.
Moore, Ivy, 06 Sculpture Makes International Symposium: Accessibility 20 Connections. Panorama, Sumter, South Carolina. Features Section, September 24.
Shuster, Stephanie, Sculpture Exhibit, Post Standard, Syracuse, New York, p.5
2005
Miller, D’esti Sarah. Art not for the faint of heart. Press and Sun Bulletin, Binghamton, New York, June 30, p.17 Illus.
Shultz, Bonnie, Creativity sessions for teens Sundays at Zen Center. The Syracuse Post Standard, Syracuse, New York, June 12, p.25.
Gold, Shari, Show celebrates the creativity that sustains art teachers, Press and Sun Bulletin, Binghamton, New York, February 24, pp.12 – 13
Johnson, Leonia, Ronald Gonzalez Showcases Unique Sculptures, Artwork Features Mixed-Media Portrayals of Human Figures, The Owegonian, Oswego, New York, November 4, p. 9 & 13. Illus.
Ostrow, Mindy, Sculptor’s Exhibition to open at College Art Gallery, The Valley News, Fulton, New York, October 15, p. 5.
Moran, Elaine. Exhibit Responds to Atrocities, Binghamton University Magazine, Fall 2005. P.5 Illus.
Sawyer, Dorothy, Summer Selections, Riston Center News, Riston, Wisconsin, Issue 2, p.5
Foreman, Hank, Turchin Center for the Visual Arts Newsletter. p. 12. Illus: Study for Catacomb.
Gulley, Neale, Sculptor Presents Student with New Angles on Human Form, Cardinal Points Press, Volume 10, Issue Z. September 24, p. B4 Illus.
Miller, D’esti Sarah, Cosmos & Chaos: Major Art Exhibition Examines Collision of Science and Nature. Press and Sun Bulletin, Binghamton, New York, January 30, p. C 1-2. Illus.
Miller, D’esti Sarah, Cosmos & Chaos Packs an Artistic Wallop. Press and Sun Bulletin, Binghamton, New York. February 12, p D1. Illus.
Strand, Michael, The Artists’ Visions. Salina Journal, February 20, p. D6. Illus.
Zurofsky, Rena, Exhibits, Berkshire Eagle, Ghent, New York. P. 2
Miller, D’esti Sarah, New Shows in Tier Touch on the Many Faces of Art. Press and Sun Bulletin, Binghamton,
2004
New York, March 27, p. 12. Illus.
Hosier, Allison, Gallery Explores Challenging Themes. Stylus Magazine, November 19, p.1. Illus.
Blackburn, Marcia, December Exhibits. Press and Sun Bulletin, Binghamton, New York. November 28, p. 20
Trawinski, Jesse, Exhibit Features Nontraditional Art Creations. Tower Light Newspaper, Baltimore, Maryland, February 28, p. 3.
Birke, Judy, Where Fungi Meet Broken Glass, Starfish Cluster in The Sand. New Haven Register, New Haven, CT, May 18, p. F1, F5, Illus.
2003
Athens, Margo, New York Town Recreating Itself. Baltimore Sun, Baltimore, Maryland, August 20, p. 5.
Athens, Margo, Recreating Downtowns. Press and Sun-Bulletin, Binghamton, New York, September 1, p. 8A.
D’esti Miller, Sarah, Avenue Art Gallery Show Focuses on Themes of Spirituality. Press and Sun-Bulletin, Binghamton, New York, July 11, p. 22.
Fox, Catherine, Artists Express Their Response to September 11. The Atlanta Journal-Constitution, Atlanta, Georgia, September 6, 2002, p. 5.
Fox, Catherine, Exhibit Pays Artistic Tribute to September 11. The Atlanta Journal-Constitution, Atlanta, Georgia, September 6, 2002, p. 10.
Gass, Katherine, South Shore Art Center Art Review. Art New England, Volume 23, Issue 5, August/September, p. 32.
Hall, Michelle, Reviews. Manhattan Mercury, Manhattan, Kansas, p. 10.
Hersh, Allison, Artists Respond to the Tragedy of 9/11. Savannah NOW: News on the Web, September 22.
Hersh, Allison, From the Ashes. Savannah Morning News, Savannah, Georgia, September 22, p.12.
Hersh, Allison, Tales of Love and Loss. Savannah NOW: News on the Web, September 29.
Huber, Judith, New Art Gallery in Endicott. The Reporter, Binghamton, New York, June 21, p. 3, 8.
Husband, Bertha. Remember. Connectsavannah.com, September 4.
Jackson, Ally, SCAD Remembers Sept. 11, 2001. The Campus Chronicle, Savannah College of Art and Design, September 13, Volume 2, Number 35, pp.1-3.
Kruh, Bob, Ronald Gonzalez, Tour: Forty Demonic Heads. Kansas State Newsletter, summer, p. A1.
Morekis, Jim, Art Patrol. Savannah Morning News, September 1, p. 2.
Schlageck, Katherine. Tour: Forty Demonic Heads by Ronald Gonzalez. In Review, Volume 24, Number 23, June 20, p.
Zehl, Valerie, Ex-Street Kid Gonzalez Molds Brilliant Career. Press and Sun-Bulletin, Binghamton, New York, p. 7B. Illus
Forman, Hank, Tuchin Center for the Visual Arts in Boone, N.C. Celebrates Grand Opening, Carolina Arts, May Issue,
2001
Artner, Alan, Morbidly Curious Will Like DePaul Exhibit. Chicago Tribune, February 15, Section 5, p. 8. Illus.
Blankenship, Bill, ‘Body’ of work. The Topeka Capital Journal. November 4, pp. 1-4.
Camper, Fred, Creep Shows. The Chicago Reader, Chicago, Illinois, February 9, Volume 30, Number 20, pp. 33-34. Illus.
Edwards, Kristie, Morbid Curiosity Becomes Artwork. The DePaul News, January 19, Volume LXXX, Number 10, p. 4.
Moffa, Ann, Artists on Display in Allegheny’s Bowman Penelec and Megahan Galleries. The Campus, October 4, p. 11.
Polanski, Jurek, Morbid Curiosity. Art scope, the Online Magazine for the Arts, February Reviews, pp. 1-4. Illus.
2000
Bradley, Miriam, Ronald Gonzalez’ Skulls, Skeletons and Catacombs. Art Connoisseur Magazine, fall Edition, Volume1, Number 4, pp. 28-29. Illus.
Collischan, Judy, Made in the USA. Modern and Contemporary Art in America. Universe Press, New York, New York, March 22, page 267.
Connally, Siobhain. The Fields Sculpture Park, Artists Sanctuary, April 2000. Viewzone.com/Fields22.html.
Frank, Peter. Museum Picks of the Week. LA Weekly, February. Volume 22, p. 2.
Houtrides, Rene, Carrying On. The Woodstock Times, August 17, Volume 27, Number 33, p. 1, 12.
Karlson, Katherine, Alumni Profile: Ronald Gonzalez ’83. Binghamton Alumni Journal, Volume 8, Number 2, p. 18. Illus.
Kestner, Rachel, Faculty Shines at Art Show. Pipe Dream, Binghamton University, February 22, Volume LVIII, Issue 5, p. 6. Illus.
Kiderra, Inga. Pushing the Artistic Envelope. Chronicle, January 24, p. 1.
Kinsor, James, Ronald Gonzalez. April 2000. salinaartcenter.org/gonz.htm. Illus
Munoz, Lorenza, Exploring the Boundaries. Los Angeles Times, January 12, pp. 68-69.
Munoz, Lorenza,Museums, Los Angeles. Beyond Borders. September 1, Issue 2000, p.44. Illus.
Munoz, Lorenza, National Hispanic News. Crossing Boundaries: James and Einar de laTorre, Steven LaPonsie, and Ronald Gonzalez’ Exhibit at USC Fisher Art Gallery. Volume VIII, Number 1, p. 69.
Cassai, Mary, Ulster to Ulster Exchange Shows Opens Saturday, Daily Freeman News 6 September 1
1999
Allen, Stephanie, Moss-Thorn Gallery of Art Features Work Done By New York Sculptor. The University Leader,
January15th, Volume 23, Number 29, p. 4. Illus.
Antczak, Dorothy, Sculpture Inspired by The Dunes. Provincetown Banner, June 10, Volume 5, Number 4, p. 30. Illus.
Boone, Lisa, Art Openings. Los Angeles Times, Calendar Weekend, November 18, p. 1.
Gasper-O’Brien, Diane, New Yorkers’ Exhibit on Campus A Real Head Turner. The Hays Daily News, Hays, Kansas. Sunday Edition, p. 1. Illus.
Jaskowiak, Jennifer, Crossing Boundaries: James and Einar de la Torres, Steven LaPonsie, and Ronald Gonzalez; Next and Past Shows. USC.edu/fisher gallery/wintershow1999.htm. Illus.
Kiderra, Inga, Fisher Fun House: The Fantastic Sensibilities of Four American Sculptors. Chronicle, February 26, Volume 19, Number 13, pp. 1-12. Illus.
Medenbach, Deborah, Sculpture Here, Sculpture There, Sculpture Everywhere. The Times Herald, Kingston, New York, June 11, pp. 14-15. Illus.ulptu
McKenna, Chris, Artists Attack Museum Flap. The Times Herald Record, Middletown, New York, October 3, pp. 15, 25. Illus.
Metrokotas, Kim, Flint Hills Inspire Artist’s Work. The Bulletin, Emporia, Kansas, August 26, p. 7. Illus.
Metrokotas, Kim, Artist Creates Complex Character with Animal Bones. The Bulletin, Emporia, Kansas, September 2, p. 8. Illus.
Mont, Terry, An Artist’s Inner Vision: Gonzalez’ Installation “Catacomb” at the Emporia Art Center. Emporia Gazette, Emporia, Kansas. August 27, p. 4. Illus.
Netsky, Ron, The Art Endurance Test. City News, Rochester, New York. April 21, p. 13. Illus.
Webb, Sara, Materials, Substance, Form: To Last or Not to Last. Pyramid Art Center, Rochester, New York, 1999. Illus: Stacked Skeletons,
Katherine. Rushwork, Exploring Sculpture, Post Standard, Syracuse New York, Page 2.
1998
Brock, Laurie, Gallery Walks to Examine Exhibitions. The Salina Journal, October 2, p.3.
Burns, Joe, Enlightening Experience: Artist Ronald Gonzalez Finds New Perspective at Race Point. Provincetown Banner, November 5, p. 22. Illus.
Chayat, Sherry, Ronald Gonzalez: Accumulation and Ritual. Sculpture Magazine, January, Volume 17, Number 1, pp. 7-8. Cover. Illus.
Drake, Nicholas, Book Reviews. Sculpture Magazine, October, Volume 17, Number 9, p. 70.
England, Dan, Great Bone Structure: Artist Sculpts Animal Bones into Humanlike Figures. The Salina Journal, September 13, p. A3. Illus.
England, Dan, Bones Form Structure of New Art Show. The Salina Journal, September 4, p. D3. Illus.
Warren, Leland, Don’t Miss Salina Art Center Displays. The Manhattan Mercury, September 27, p. 5.
Sherman, Gorden, Smokey Hill PBS Kansas Arts Today https:youtu.be/JSTIYNz9y34
1997
Ashley, Dottie, Spoleto Exhibition to Mix Art, Environment. The Post and Courier, Charleston, South Carolina, February 12, pp. 1B, 4B.
Burritt, Chris, Haunting Art at Spoleto. The Atlanta Constitution, May 21, p .1. Illus.
Chayat, Sherry, Everson Museum Acquires 35 New Pieces. Syracuse Herald American, January 12, p. 11.
Day, Jeffrey, Cemetery Feels Familiar to Artist. The State, Columbia, South Carolina, May 24, pp. 1, 2. F. Illus.
Day, Jeffrey, Artwork Opens Our Eyes to The Low Country. The State, Columbia, South Carolina, June 8. Pp. 4F.
Day, Jeffrey, Spoleto Art Takes to The Streets. The State, Columbia, South Carolina, May 24, pp. 3, F1.
Day, Jeffrey, Visual Art. The State, Columbia, South Carolina, May 11, p. 6. Illus.
Day, Jeffrey, At Least One Exhibit Done Nature’s Way. The Charlotte Observer, May 29, p.1. Illus.
Dougherty, Linda Johnson, Human/Nature: Art and Landscape in Charleston and The Low Country. Sculpture Magazine, October, Volume 18, Number 8, pp. 70-71. Illus.
Drake, Nicholas, The Outsiders. Charleston Magazine, May/June, pp. 38-42. Illus.
Drake, Nicholas, Human/Nature. Art Papers, Reviews, Volume 21, Issuing 5, pp. 64-65?
Garvey, Erin, Traces of Healing. The Daily Campus, Storrs, Connecticut, March 7, p. 1. Illus.
Gillette, Jane Brown, On the Subject of Human Nature. Landscape Architecture Magazine, August, Volume 87, Number 8, pp.78-79. Illus.
Grey, Gene, Sculptor to Show Work at Spoleto. The Press and Sun-Bulletin, Binghamton, New York, May 2, p.1.
Heartney, Eleanor, Public Art: A School for Sculpture. Art in America, October, p.63. Illus.
Heartney, Eleanor, Return to Spoleto. Art in America, December, p.35. Illus.
Hein, Barbara, Public Art: Open to The Air, Open to Interpretation. The Advocate, Greenwich, Connecticut, June, pp. 2D, 4D. Illus.
Karmel, Terese, Giving A Face to The Enemy. The Chronicle, Williamet, Connecticut, March 13, pp. 8-9. Illus.
King, Rachel, Shows Not to Miss. Art and Antiques Magazine, May, p. 22. Illus.
Leath, Daisy, Best Bets, Where the Locals Go. UPWITH, Charleston, South Carolina, May 23, p. 10. Illus.
Murphy, Drew, Spoleto Grows in New Directions. Daytona Beach news Journal, March 30, p. 1.
Fisher, Sherry, From Kitsch to Religion: Exhibit Examines Healing Power of Art. The Advance, Storrs, Connecticut, March 7, p. 2.
Fox, Catherine, Landscapes Speak in Spoleto Exhibition: Outdoors Installations Add Meaning to Sites. Atlanta Constitution, May 28, p. 3.
Raynor, Vivien, Sculpture Biennial at Purchase with Pizzazz and Imagination. The New York Times, October 12, p. 24. Illus
Sanchez, Jonathan, Spoleto Art Emphasizes Fragmentation. The Post and Courier, June 5, pp. 1-3. Illus.
Shuter, Marty, The Visual Arts Have Risen in Prominence for Charleston. Savannah News, June 1, pp. 3C, 1G. Illus.
Smith, Nancy, Ghosts of the Past: Site-Specific “Human/Nature” Exhibit is Poignant, Moving. The Post and Courier, Charleston, South Carolina, June, pp.1-3. Illus.
Starger, Steve, Atrium Gallery Hosts Group Exhibit. Journal Inquirer, Storrs, Connecticut, March 14, p. 6.
1996
Art Muscle, Art, October/November, Issue 1, p. 2. Illus.
Auer, James, Kohler’s Artists-In-Residence Use Their Freedom to Cast About. The Milwaukee Journal Sentinel, December 27, p. 18E.
Barnard, Ann, Ronald Gonzalez: Binghamton Artist intertwines religious Symbols with Messages About Humanity. The Catholic Sun, Binghamton, New York, March 21- April 4, p. 1A. Illus.
Chayat, Sherry, Artist Uses Cross as Basis for Creation at Everson. Syracuse Herald American, Stars Magazine, April 7, p. 15. Illus.
Chayat, Sherry, Show of NYS Art in Auburn Vibrant and Nicely Varied. Syracuse Herald American, July 28, pp. 14, 15.
Natale, Michele, Sculpting is a Full-Time Job for Visiting Artist. The Chapel Hill News, Sunday, December 15, pp. B4-B5. Ills.
Pau-Llosa, Ricardo, The Loyal Dog of Dread: The Art of Ronald Gonzalez. Art Papers, May/June 1996, p. 65. Illus.
1995
Bumgardner, George, Upstairs Focuses on Various Types of the Figure. Ithaca Journal, March 23, p. 18. Illus.
Steck, Janet, New Exhibit on Display at SUNY-Cortland. Cortland Standard, New York, November 10, p. 10.
1994</>Chayat, Sherry, Outdoor Creations Make Powerful Statements. Syracuse Herald American,New York, June 19, pp.15-16. Illus.
Crowley, Matthew, It Will Make You Think: Latino Artists Tackle Today’s Social Issues. The Post Star, Albany, New York, January 20, pp. D1-4.
Harrison, Helen, A. Views of Culture Exotic and Near Home. Art Review, The New York Times, April 17, p. L1.
Jeschke, Carol T. Art in The Landscape at Stone Quarry Hill Art Park. Maquette Magazine, December, pp.16-17. Illus.
Lipson, Kirin, Defining Latino Artists by Works, Not Culture. Art Review, Newsday, New York, April 10, p.10. Illus.
Piedra, Jose, From Revelations to Revolutions: Framing an Art Exhibit. La Voz, Cornell University Press, May, pp. 48-51.
Reynolds, Judith, Lost and Found ET Mortuos. Art Review, City Life, Rochester, New York, pp.2-8. Illus.
Solomon, Michelle, Art. The Scranton Times, March 31, p. 11. Illus.
Sparks, Amy, Ink to Ashes: Visual Artists. The Cleveland Free times, January 19, p. 18.
1993
1992 In Review: Alternative Spaces. Art in America Annual Guide, P. 34. Illus.
Bernardo, Don, Four Broome County Artists Awards Grants. The Press and Sun-Bulletin, August 22, p. 6B.
Bernstein, Jill, You Say You Want A Revelation. The Cornell Daily Sun, November 11. p. 10.
Biacolli, Amy, Artists Turn Young–Old Eyes to Aging. Albany Times Union, Sunday Edition, January 17, pp.1, 4.
Braff, Phyllis, Hints of Universality in Grotesque Heads. Art, The New York Times, November 21, pp.2-8. Illus.
Bravo, Armando Alvarez, El Castillo se Quema Y Otra Revelaciones. El Nuevo Herald, Miami, November, p. 50.
Brewton, Molly, Editorials. Ithaca Journal, December 2, p. 8A.
Chayat, Sherry, Hispanic Art Spurs Vandalism, Protests, Reflection. Syracuse Herald American, STARS Magazine, December 5, pp.15-16. Illus.
Cummings, Mary, 700 Versions of One Vision. The South Hampton Press, November 11, pp.18, 22. Illus.
Destefano, Darin, CYANOSIS: Writing, Interviews, Poetry, Images. Issue 11, pp. 49-50. Illus.
Hollibaugh, Amy, Heaven, or Hell? Exhibit Explores Lighter/Darker Sides of Religion. FOCUS, The Daily Campus, Volume XCIII, Number 9, University of Connecticut, September 14, pp. 7-8. Illus.
Katz, Gene Ira, Vanishing Act: Eight Hispanic Artists Unveil A Stunning ‘Art of Evanescence’ At the Johnson Museum. Ithaca Times, November 11, pp.1, 19. Illus.
Ortiz, Raphael, A Latino, A Mindset, An Artist. Ithaca Journal, December 2, p. 3.
Pao-Llosa, Ricardo, Vigilancia, After the Sculptures of Ronald Gonzalez. River Styx, Number 37, pp. 10-11.
Sansegundo, Sheridan. At the Galleries. The East Hampton Star, December 2, p. 3. Illus.
Sauliner, Beth R, Hispanic Artists Take Over Cornell’s Johnson Museum for revelations. Ithaca.
Stone, Carol, Messages from Johnson Museum. Cornell Chronicle, November 4, p. 8.
Journal, Arts and Leisure Cover Story, November 4th-11, pp. 2-3. Illus.
Worden, John, Rich Vision of Loss and Celebration. Rochester Democrat and Chronicle, New York, November 17, p. 5.
1992
Braff, Phyllis, Onyx Group Confronts the Narrow Standards. Art Review, The Sunday New York Times, June 14, p. 20. Illus.
Cross, Jennifer, Artists Statements. Provincetown Arts Magazine, Volume 8, p. 49. Illus.
Odom, Michael, Art Reviews. Pittsburgh News Weekly, November, Volume 8, p.49. Illus.
Talbot, Mary, A Mingling of Spirits: The Layered Influences and Imagery of Creole Art. Newsweek, March 9, p. 49. Illus.
1991
Brewster, Chris, Art, Religion Merge in Arnot Art Exhibit. Star Gazette, February 28, p. 2.
Kessler, Milton, Light Accompaniment to Figures by Ronald Gonzalez. SULFUR Magazine, Number 28, spring, pp. 99-107. Illus.
MacMillan, Kyle, Uno Show Links Work by Size. Sunday World Herald, Omaha, Nebraska, March 3, p. 17.
Williams, James, Looking at Art. The Metropolitan, Omaha, Nebraska, September 9, p. 4A. Illus.
1990
Slivitka, C. S. Rose, From the Studio. East Hampton Star, November 15, pp. 9-11.
1989
Arts Magazine, October 1989, p. 12. Illus.
Altholz, Jessica, Events. Sculpture Magazine, March/April, p. 32. Illus.
Donohue, Victoria, On Galleries. Philadelphia Inquirer, January 14, p. 5D.
Finger Lakes Magazine. Winter Edition, pp. 6, 12. Illus.
Latter, Ruth, Three Artists Filled with Symbolism. The Daily Progress, Charlottesville, Virginia, January 15, p. 3.
Long, Robert, Sculpture Pieces in Objects/Figures. The South Hampton Press, September 28, p. B4. Illus.
McCormack, Ed, Selected Gems from the Allan Stone Collection. Art speak, December 1, Volume XI, Number 7, p. 1.
Merkle, Joseph, The Ghost Figures of Ronald Gonzalez. Art speak, October 16, p. 9. Illus.
Nasra, Kathy, Reviews. Art Matters, February, p. 2. Illus.
Raynor, Vivien, Two Bronx Galleries Produce Lively Displays. The New York Times, December 10, p. 41. Illus.
Rosenthal, Peter, Ronald Gonzalez, A Local Gem. Tier Perceptions, February 10, p. 12. Illus.
Slivika, Rose C. S. From the Studio. The East Hampton Star, September 14, pp. 9-11. Illus.
1988
McCarthy, John, Work in Exhibition is expected to Seem Strange to Viewers. Lewiston Tribune, Pullman, Washington, October, p. 5.
Chayat, Sherry, Reviews, Elmira Star Gazette, New York, November 18, p. 2. Illus.
Chayat, Sherry, Art, Syracuse Herald American, December 18, Section 1, p. 17. Illus.
Chayat, Sherry, Binghamton Artist Stays Close to Home. Elmira Star Gazette, New York, November 18, p. 2. Illus.
Cullman, Helen, A Way Out Show at Spaces. The Plain Dealer, Cleveland, Ohio, September 22, p. 12.
Dunnington, Ann, Apocalyptic Visions, and 2/3 of a Trio. Providence Business News, November 7, pp. 20. Illus.
Fressola, Michael, Walk-Through Art That’s Offbeat, Witty. Staten Island Advance, May 15, Section F, p. 1.
McCarthy, John, Work in Exhibition is expected to Seem Strange to Viewers. Lewiston Tribune, Pullman, Washington, October, p. 5.
Middendorf, Frances, After the Fall – Apocalyptic Visions at RISD. The Rhode Island Weekly, November 17-22, p. 1. Illus.
Reedy, Tim, Seeing Through the Grotesque. Art Theater Review, Binghamton, New York, August, Volume 1, Number 1, Cover, pp. 5-6. Illus.
Rover, Jonas, Munson Shows Off the Region’s Work. Observer-Dispatch, Utica, New York, April 23, p. 1C.
Seiler, Nell, Sculptor Sets Up Shop. The Press and Sun-Bulletin, June 13, Section C, p. 3. Illus.
Silander, Lisa. World Without End. Canvas, Providence, Rhode Island, November, Volume 6, Number 3, p. 1. Illus.
Stewart, Maryann. First Class Showing of Second Hand Art. The Sheboygan Press, September 1, p. 1. Illus.
Vansoilen, Bill, Explosive RISD Show Examines the Apocalypse. Providence Sunday Journal, Rhode Island, November 20, p. 1. Illus.
Vreede, Caroline, Gonzalez In Residence. Montage, spring, Volume 2, Number 2, Cover, p. 5. Illus.
1987
Bieker, Judith, Works of Two Artists Open Art Gallery Season. The Gateway, September 1, Volume 87, Number 3, pp. 5-6. Illus.
Depietro, Mary, Sculpture in Focus at 171. The Leader, Corning, New York, January 2, pp. 1, 3D. Illus.
Depietro, Mary, Sculpture Displayed. The leader, Corning, New York, January 9, p. 12. Illus.
Ferguson, Heather, Ronald Gonzalez. State Times, Oneonta, New York, October 29, Volume 44, Number 5, p. 4. Illus.
Holden, Pam, Sculpture Finds Supplies, Inspiration in First Ward. The Evening Press, Binghamton, New York, June 20, Section D., p. 1. Illus.
MacMillan, Kyle, Viewer Invited into Artist’s World of the Grotesque. Sunday World Herald, Omaha, Nebraska, September 6, p. 20. Illus.
Scott, Daniel, Art Attack. Bay Windows, Boston, Massachusetts, September 24, p. 1. Illus.
1986
Boehm, Michael, Artists Out to Change Your Mind. Journal-Bulletin, North Dartmouth, Massachusetts, November 21, p. D1.
Gonzalez Featured at Arnot Exhibit. Star Gazette, Elmira, New York, October 4, p. 2. Illus.
Johnson, Ken, Some Inventive Pieces. The Times-Union, Albany, New York, p. 2. Illus.
Sculpture by Ronald Gonzalez. Horizon – The Magazine of the Arts, October, Forward, p. 2. Illus.
The American Review. Review of Hispanic Literature and Art of the USA. Arte Publico Press, Houston, Texas, Volume 14, pp. 80-82. Illus.
Vreede, Caroline, Roberson Regional Show Renews Faith in Today’s Art. The Evening Press, Binghamton, New York, March 11, p. 1.
Vreede, Caroline, Gonzalez at Arnot Gallery. The Evening Press, Binghamton, New York, October 4, Section C., p. 1.
Vreede, Caroline, Local Sculptor’s Work Displayed at Hispanic Gallery in New York. The Evening Press, Binghamton, New York, May 28, Section D, p. 1. Illus.
1985
Doorey, Marty, Two Artists Withdraw City Art Works. The Evening Press, Binghamton, New York, May 8, pp. 1A, 3A. Illus.
Eurich, Sharon, Profile – Ronald Gonzalez. Susquehanna Magazine, Pennsylvania, August 18, p. 3. Illus.
Lembitz, Dylana, Blinded Shells of Humanity. Pipedream, Binghamton, New York, January 25, Volume XL, Number 4, pp.10-11. Illus.
Lembitz, Dylana, Mixed Media Melange. Pipedream, Binghamton, New York, Volume X, Number 5, p. 4. Illus.
Morgan, Robert, Current Visions are Envisioned in Germanow Gallery. Times-Union, Rochester, New York, January, pp.3D, 17D. Illus.
Vreede, Caroline, Bell, Gonzalez Offer New Views at Gallery Show. The Evening Press, Binghamton, New York, January 5, p. 6B.
Vreede, Caroline, The Studio School and Gallery Is on The Rise,
Vreede, Caroline. SUNY-Binghamton Faculty Show Has Depth and Exceptional Quality. The Evening Press, Binghamton, New York, September 19, p. 5.
Vreede, Caroline, University Gallery Plans Gonzalez, Bell Art Shows. The Evening Press, Binghamton, New York, January 17, p. 6. Illus.
Wilcox, Patricia, City Hall Art Censors Demean Faith. The Evening Press, Editorials, May 29, p. 8A.
1983
Vreede, Caroline, Sculpture Filled with Life’s Drama. The Evening Press, Binghamton,
New York, February 14, Section C, p. 1. Illus.
Vreede, Caroline, October Comes in April. The Evening Press, May 5th, p. 4.
1981
Vreede, Caroline, Avant Garde Art Blooms in Johnson City. The Evening Press, Binghamton,New York, April 1. SectionB, p. 1.
1980
Vreede, Caroline, Sculptor Gonzalez Explores Space Like An Astronaut. The Evening Press,Binghamton, New York October 6, Section B, p. 1. Illus
CATALOGUES BROCHURES AND BOOKS—————————————————————
Alley, Becky, Creatures Great & Small, 2009. Murray State University, Lexington, Kentucky. Illus: Snared Embrace, 2009. Catalogue.
Armstrong, Richard, New American Talent, 1988. Austin, Texas. Laguana Gloria Art Museum, 1988. Illus: Figure, 1984. Catalogue.
Anjulates, Constantine, Stimulus, Greenhouse Berlin, Berlin Germany, Page 5, Illus. Blach Figure Study. Catalogue.
Anjulates, Constantine, Art Number 23, Stimulus, Menier Gallery, London United Kingdom, Page 10, Illus, Small Black Figure, Catalogue
Anjulates, Constantine, Metamorphosis/Paramorphosis, Galleria v Caroffovej vaznici, Presov, Slovakia, Traveled to Koniaren Gallery, Trebisov, Slovakia, Illus. Charred Figure, Page 11
Average Art Magazine, 31, edition, February, London, and United Kingdom. Illus. Tune. 2019
Pinciotti, Rocky, People, Plant, Politics, Delaware Valley Arts Alliance. Narrowsburg, New York, 2018, Illus, Bug, Brochure
Bajic’Mirjana, Soft Sculpture-Hard Thoughts, Gallery SULUJ, Belgrade Serbia, Bound Figure, Illus, Catalogue
Beardsley, John. Art and Landscape in Charleston And the Low Country. Forward by Nigel Redding. Contributions by Roberta Kefalos and Theodore Rosengarten. Space maker Press, 1997, pp. 132-141. Illus: Scattered Remains: Corpus, Keeper, Profane. Book.
Bidney, Martin. On the Feeling Invested in Objects: Gonzalez’s Sculptures and Stewart’s Narratives and Longing. Mosaic, 2008, Vol. 41, No.1. Pg.111-134. Illus. Book
Bidney, Martin. Grimm Whimsy. The Object as Figure. Sumter County Gallery of Art. 2007.Catalogue
Bidney, Martin. Dark Upstate Artifacts; The Playful Melancholy of Ronald Gonzalez. Anthony Brunelli Fine Arts. Binghamton, New York. 2010. Catalogue
Bidney, Martin. Bricolage, Brut and Beyond: The Mind Things of Ronald Gonzalez, Davis Gallery, Hobart and Smith Williams College, Geneva, New York, Catalogue
Bidney, Martin, Book of amphibrach, First journal in verse, Uncountable forms of the figures before me, for sculptor Ronald Gonzalez, Page, 174, Book.
Blanchfield Fiori, Joan. Ronald Gonzalez: Figures – New Sculptures/Drawings, 1989. Utica, New York: Edith Barrett Art Gallery, Utica College of Syracuse University. Artist’s Statement. Illus. Catalogue.
Block, Holly; Reid, Calvin. Mo Art. Manual 1992-93, New York, New York, Art in General, 1992. Illus. Catalogue.
Boime, Albert, Nancy E. Green, and Hall Groat II. Cosmos & Chaos: A Cultural Paradox. 2004. Pg. 22-23. Illus: Demonic Heads. Catalogue.
Brunelli John, Anthony Brunelli Fine Arts Art Greenwich Seafair Yacht Greenwich, Connecticut Exhibition Brochure
Busta, William. Materials And Faith. William Busta Gallery, Cleveland, Ohio. 1994. Catalogue
Butler, Diane. Affinities, Dialogues & Divergences, Art Faulty Engage with the Permanent Collection. University Art Museum,
Binghamton, New York, Brochure
Butera, Fabbri, Virginia. Viewpoints, Studio Montclair Gallery, Montclair, New Jersey, 2020, Illus. Open to Pain, Brochure
Cervino, Anthony. Kit bashers: Exploring Notions of Assembly. The Union Art Gallery at Towson University, Towson, Maryland, 2003. Illus: Tethered Figures, 2002. Catalogue.
Cervino, Anthony, Egan, Shannon, Ronald Gonzalez: Scraps/ Grotesques and other Personas, Forward, Of Men and Monsters, Exhibition Brochure, Ejecta Projects, Carlyle Pa. 2019
Choy, Lillian H., Pearson, Cynthia, Holo, Selma, Merighi, Lisa, Schulz, Max F., Vuong, Krystal, Wulf,, Andrew James.
Insatiable Desires, University of Southern California at Los Angeles, 2005. Illus. Self Portrait with Skeleton, Page 17. Catalogue
Chiu, Leslie, Babson Arts, Ronald Gonzalez: Seeing Through My Eyes, llus, Babson College, Wellesley, New York. Brochure.
Colombo, Silvia The Mask, Loosenart Gas Mask Torso, Page 42, Illus. Millepiani Rome Italy, Catalogue
Collischan, Judy. When Are You Going to Paint It? Neuberger Museum of Art, Purchase College, New York, 1997. Illus: Tunnels, 1997. Catalogue.
Colley, Robert. Stone Canoe: A Journal of Arts and Ideas from Upstate New York. Syracuse University, New York, 2008. Spring, Number 2. Page 177 & 180. Illus. Unpredictable Couple, Rotten Apple. Catalogue.
Colombo, Silvia, The Mask, Space Millepiani, Rome, Italy, Illus.Gas Mask, Torso, Catalogue
Cross-, Jennifer. Sculptor’s Drawings. East Hampton Center for Contemporary Art, East Hampton, New York, 1990. Illus: Figure, 1989; Figure-By-Figure, 1990, Installation Detail. Catalogue.
Cross-, Jennifer. Objects/Figures. East Hampton Center for Contemporary Art, East Hampton, New York, 1989. Illus: Double Stump, 1988; Studies for Sculpture, 1989; Head, 1989. Catalogue.
Cubbs, Joanne. Second Hand: An Exhibition of Contemporary Found Object Art. John Michael Kohler Art Center, Sheboygan, Wisconsin, 1988. Illus: Do Roses Bloom in Heaven, 1984. Catalogue.
DeMaris, Richard. Sympathy for the Devil (Heads). Valparaiso University, Indiana. 2011 catalogue
Duke, Benjamin, Drawing at the Edge of Perception, Metro Space, MSU Department of Art and Design, East Lansing, Michigan, Page 5 Figures, Illus.
Eeckeleers, Helena, Nostalgia in Amsterdam, V23 Gallery, London United Kingdom, Illus, Figure in Nich, page, 17, Catalogue
Egan, Shannon. Id. Rosenberg Gallery, Goucher College, Baltimore, Maryland. 2006. Illus: Self-portrait with dead cat.
Egan, Shannon, Ronald Gonzalez: Private Collection. Gettysburg College, Gettysburg, Pennsylvania. 2011. Catalogue
Egan, Shannon, Ronald Gonzalez: In the Palm of my Hand, Ejecta projects, Carlisle, Pennsylvania, 2017, Catalogue
Fancett Mim, On the Surface, Ottmar Gallery, Attleboro Arts Museum, Attleboro, Massachusetts, Figures, Illus Page 98, Catalogue
Fester, Daniel, Blackout, Ashton Gallery, San Diego, California, llus, Black Flame Drawing, page7, Catalogue.
Fisher, Kevin, Ronald Gonzalez: Relief Sculpture. Germantown Art Gallery, Rochester, New York. 1986. Illus: Artist In His Studio. Brochure.
Friday, Matthew, Reuniting the Head with the Body. Tyler Art Gallery, State University of New York at Oswego. Oswego, New York. Illus. Brochure.
Georges, Ostrow Daniel, Empire Fulton State Park, Brooklyn, New York, 1995. Illus: Marker, 1995. Catalogue.
Gemma Michelle, Stimulus, Art Number 23, Menier Gallery, London United Kingdom. Catalogue. Illus, Small Black Figure.
Gonzalez, Ronald, Just Below Heaven. Atrium Gallery, University of Connecticut, 1993. Illus: Angel, 1991. Brochure.
Gonzalez, Ronald, Figures, Foreman Gallery, Hartwick College, Illus, Brochure.
Gonzalez, Gertrude; Mamary, Ann, Cultural Activisms, Poetic Voices, Political Voices. State University of New York Press at Albany, New York, 1999. Book.
Gonyea, Chris, 1999 Roundabout Biennial. Kingston Urban Cultural Park Center, 1999. Illus: Fly Catchers. Catalogue.
Guenther, Bruce, The 50th Annual 1937-1988. The Munson-Williams-Proctor Institute, Utica, New York, 1988. Illus: Figure, with Studies, 1986. Catalogue.
Hardy, Sara Lynn Reece, Catacomb. Salina Art Center, Salina, Kansas, 1998. Brochure.
Hardy, Sara Lynn Reece, Body. Salina Art Center, Salina, Kansas, 1999. Illus: Fly Catcher. Brochure.
Hardy, Sara Lynn Reece, Embodiment. Salina Art Center, Salina, Kansas, 1999. Illus: Catacomb. Brochure.
Hardy, Sara Lynn Reece, Memory. Pg. 3. Illus: Self-Portrait with Dragonfly. Brochure.
Jacobs, Ken. A Consideration: Ronald Gonzalez: Relief Sculpture. University Art Gallery, Binghamton, New York, 1985. Catalogue.
Jecmen, Gregory, Art on Paper, Circle Gallery, Maryland Federation of Art, Annapolis, Maryland. 2019. Page 2
Jeschke, Carol T.; Noriega, Chon, Inside Out: Public Spaces/Private Visions. Stone Quarry Hill Art Park, Cazenovia, New York, 1994. Illus: Fly Catchers, 1994. Catalogue.
Kaplan, Wendy Tarlow, The Perfect Fit shoes Tell Stories. FullerCraft Museum. Brockton, Massachusett. 2009. Illus:Clogkiss 2009 Catalogue.
Kefalos, Roberta, Human/Nature. Spoleto Festival, Charleston, South Carolina. Cover Illus. Book.
Klobe, Tom. 3rd International Shoebox Sculpture Exhibition. University of Hawaii at Manoa, Honolulu, Hawaii, 1988. Chinese Edition, Chen-Lu, 1988. Illus: The Road of Life is a Long, Long Road. 1985. Catalogue.
Lafo, Rachael Rosenfield, Contemporary Sculpture at Chesterwood: Celebrating 30 Years. 2008. Chesterwood Museum, Stockbridge, Massachusetts. Illus. Dry Figure, 2008. Catalogue.
Lee Won Jae, Closer, Michigan State University. East Lansing Michigan, Illus. Dave’s Car. Catalogue
Kim, Leejin, Artist Statement#2 CICA Museum, Gimpo Si Gyeonggi-Do, Korea, Book
Lockpez, Inverna, Engaged Cultures: Ten Contemporary Latino Artists. Traveling Exhibition, 1993. Illus: Votive Figure with Circular Top. Catalogue.
Loving, Charles, Recent Acquisitions: Gonzales Maquette. Snite Museum, of Art, Notre Dame, Indiana, 2010. Illus: page 17.
Luckert, Steve, McDonaugh, Tom, Transmigrations. Ahearn Gallery, Roberson Museum. Binghamton, New York. Catalogue.
Ludwig, Allan; Witkin, Joel-Peter, Repulsion: Aesthetics of the Grotesque. Alternative Museum, New York, New York, 1986. Illus: A Moment of Life and Death for Mr. America, 1986. Catalogue.
Leong, Evelyn, Talley, Dan, Aging: The Process, The Perception, 1990. The Forum and Gallery, Jamestown, New York, 1990. Illus: The Aging Chair, 1990. Catalogue.
Marie, Cedar, FISH, The University of Oklahoma, Weitzenhoffer Family College of Art, and Art History. 2013. Thirsty Creatures Page 8. Illus. Catalogue
Martin, Craig, Urban Legends, and Rural Myths, Purdue University Galleries. Dracula and Jesus, 2009. Brochure.
May, Despault, Huguette, What Matters Most, Art Essentials, Dear Isle, ME, 2020, Illus, Signal, Catalogue,
McWilliam, Judith; Paris, Arthur, The Migrations of Meaning: Can You Feel It, 1992. INTAR Gallery, New York, New York, 1992. Illus: Crosses, 1991; My Spanish Skeleton, 1991; Red Veil, 1991. Catalogue.
Mingst, Raymond E, Between Worlds. Curious Matter, Jersey City, New Jersey. Illus: Small Planet. Page 25 Catalogue.
Miller, Darlene, Access, And Exclusion: A Survey of Works from The Wilkes-Barre/ Binghamton Region. University Art Gallery, Binghamton, New York, 1991. Illus: Cone Figure, 1990. Catalogue.
Montua, Gabriel, 2006 International Assemblage Artist Exhibition. Gallery 24, Berlin Germany. Illus: Wrapped Bone. Page 25. Catalogue.
Mc Cormick, Carlo, Things Portrayed, Forward, Material Alchemy, The Head Factory of Ronald Gonzalez, Jothanan Levine Projects, Mana Contemporary, Jersey City, New Jersey, Exhibition Catalogue and brochure.2018
Narrett, Eugene, Evils of Power. Southeastern University Gallery, North Dartmouth, Massachusetts, 1986. Illus: What’s It All About, 1984. Catalogue.
Nielsen, Susie, Transcribing Human Form. Campbell Hall Art Gallery, Western Oregon University, Monmouth, Oregon, 2007. Illus: House of Memories, Hoof, and Hip Strange Corsage. Catalogue.
Noriega, Chon; Piedra, Jose. Revelations/Revelations: Hispanic Art of Evanescence. Herbert F. Johnson Memorial Museum, Ithaca, New York, 1993. Illus: Death Figure, 1993; Skull, 1990; Figure-By-Figure, Installation View, 1990. Catalogue.
Pau-Llosa, Ricardo, Among the Ruins of The Familiar: A View of Ronald Gonzalez. INTAR Gallery, New York, New York, 1990. Catalogue.
Pears Catharine, Concrete & Adrift, on the poverty line. Alexandria Museum of Art. Alexandria Virginia, 2019, Illus. Homeless Figure, page 44, Catalogue.
Petralli, Pio, A Personal Connection at Laumeier. Objectivity. Laumeier Sculpture Park, St. Louis, Missouri. 2008. Illus: Arches, Catalogue.
Piche, Thomas, 20th Century Sculpture from the Collection. Everson Art Museum, Syracuse, New York, 1999. Brochure.
Preston, George Nelson, Recent Trends in Works of Art on Paper. New York, New York, 1990; De Arte Moderno. Buenos Aires, Argentina, 1990. Illus: Untitled, 1990. Catalogue.
Pierson, Michael, Optics Antics: The Cinema of Ken Jacobs, Ron Gonzalez, Sculptor, (2009) Page 267, Book
Quick, Richard, Ronald Gonzalez, Whittier College, California, 1986. Illus: No One Knows the Things I See, 1984; Somebody Died by Somebody’s Hand, 1984; Portrait of Lilia Gonzalez, 1984. Catalogue.
Rickbone, Catherine, Catacomb. Emporia Art Center, Emporia, Kansas, 1999. Illus: Catacomb, 1999. Brochure.
Rosenfield, Daniel, New Visions of the Apocalypse. Museum of Art, Rhode Island School of Design, Providence, Rhode Island, 1988. Catalogue.
Sadinsky, Rachel, The Sculpture of Ronald Gonzalez, Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York,1987 Catalogue
Sadinsky, Rachel, Seven Visions: The Spirit of Religion in Contemporary Regional Art. Arnot Art Museum, Elmira, New York, 1991. Illus: Altarpiece, 1991 (cover); Mater Delorosa 1990. Catalogue.
Schapiro, Meyer, Body Language, Orange County Center for Contemporary Art, Santa Ana, California. 2014, Pages 32-33 Illus. Unzipped Mouth. Catalogue
Schaller, Hydee, less is More, St. John’s College, Annapolis, Maryland, Catalogue 2013. Page 7.
Schulz, Max F, Crossing Boundaries. Fisher Art Gallery, University of Southern California, Los Angeles, California, 1999. Catalogue.
Sedestrom, Carol, Shedden, Edythe, Regional ’84. Arnot Art Museum, Elmira, New York, 1984. Illus: This Cannot Be, 1984. Catalogue.
Sexton, Kim Keungsuk, American Diaspora Transformations in an Age of Uncertainty. Victory Hall Cultural Center. Jersey City. New Jersey. Illus: Self Portrait. Catalogue.
Smith, Molly, Paperwork’s: On & Of Paper. The UWF Art Gallery, The University of West Florida, Pensacola, FL., and Illus: Arms and Legs, 2008. Catalogue.
Sokolowski, Thom, Darkness at the Edge. Propeller Center for the Visual Arts, Toronto Ontario, Canada, and Illus: Black Figure Study, 2013. Catalogue. Page 10.
Tagg, John, The Monstrous, And the Human. Tower Fine Arts, State University of New York at Brockport, Rochester, New York, 2003. Brochure.
Thaw, Victor Eugene, The Pollock-Krasner Foundation Millennium Report. New York, New York, 1999. Illus: Crosses, 1996. Catalogue.
Thomson, John. Faculty Exhibition 2000. University Art Museum, Binghamton, New York, 2000. Illus: Studies for Tunnels, 1997; Studies for Catacomb, 1998. Catalogue.
Tomko, George, Beautiful Beings: The Sculpture of Ronald Gonzalez. Roberson Museum, Binghamton, New York, 1988. Catalogue.
Via, Marie, 3rd Rochester Biennial. Memorial Art Gallery, Rochester, New York. Illus. Found Heads, 2008. Brochure.
Walton, Melanie. Collage Art: The Art of Construction or The Constructed Art. National Collage Society, Inc. Hudson, Ohio. Illus: Testami Switchblade, 2006. Catalogue.
Weiss, Allen. Monsters, Marvels, Mystery, Morbidity, Melancholy for Ronald Gonzalez, Corcoran Gallery of Art, Washington, D.C., 2006. Catalogue.
Webb, Sara. Materials, Substance, Form: To Last or Not to Last. Pyramid Art Center, Rochester, New York, 1999. Illus: Stacked Skeletons, 1996. Catalogue.
Wilson, Ed. One Sculptor Views Another: Ed Wilson on Ronald Gonzalez, Sculpture/Recent Work. Arnot Art Museum, Elmira, New York, 1986. Catalogue.
Whitney, Linda, Americas Paperwork’s, Northwest Arts Center, Minot, ND. Illus. Black Flame Head. 2018, Catalogue
Yody, Tom. Multum in Parvo. Monarch Contemporary Art Center & Sculpture Park, Tenino, Washington. Pg. 8. Illus: Molars. Catalogue.
Video
Jacobs Ken, Ron Gonzalez, Sculptor, high-definition digital video, color, sound, (11 Min.) 2009